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This book is the first comprehensive monograph on Polish modern architect Jerzy Sołtan’s work including his designs, theory, and teachings in Poland and America based on extensive archival research and oral history interviews with former students. The Life and Work of Jerzy Sołtan takes the reader on a journey to both sides of the iron curtain, the communist Poland and the capitalist United States, contributing to the existing scholarship on modernism in post-socialist counties, on CIAM, and on Team 10. It pictures Sołtan as a central player in the history of modernism, building on his own contribution and on close relationships with Le Corbusier and Team 10. This book illustrates not o...
Rafal Pankowski makes sense of the rapid growth of organized radical nationalism on the political level in Poland by showing its origins, its internal dynamics and the historical, political, social and cultural context that has made it possible.
Phenomenologies of the City: Studies in the History and Philosophy of Architecture brings architecture and urbanism into dialogue with phenomenology. Phenomenology has informed debate about the city from social sciences to cultural studies. Within architecture, however, phenomenological inquiry has been neglecting the question of the city. Addressing this lacuna, this book suggests that the city presents not only the richest, but also the politically most urgent horizon of reference for philosophical reflection on the cultural and ethical dimensions of architecture. The contributors to this volume are architects and scholars of urbanism. Some have backgrounds in literature, history, religiou...
This book examines the increasing intersections of art and parenting from the late 1990s to the early 2010s, when constructions of masculine and feminine identities, as well as the structure of the family, underwent radical change. Barbara Kutis asserts that the championing of the simultaneous linkage of art and parenting by contemporary artists reflects a conscientious self-fashioning of a new kind of identity, one that she calls the ‘artist-parent.’ By examining the work of three artists—Guy Ben-Ner, Elżbieta Jabłońska, and the collective Mothers and Fathers— this book reveals how these artists have engaged with the domestic and personal in order to articulate larger issues of parenting in contemporary life. This book will be of interest to scholars in art and gender, gender studies, contemporary art, and art history.
Gdy przystępowałem do lektury książki Ryszarda Stemplowskiego o Zrzeszeniu Studentów Polskich, wiedziałem, że napisał ją człowiek ”ze środka„, były działacz znający mechanizmy, konteksty i ludzi - a do tego naukowiec doskonale zdający sobie sprawę z pułapek subiektywizmu, a zarazem posługujący się profesjonalnym warsztatem badawczym historyka. Wielkim atutem Autora było i to, że z racji ”starych znajomości„ mógł dotrzeć do wielu działaczy ZSP i uzyskać od nich mnóstwo relacji i wywiadów. […] obok bogatej literatury przedmiotu,memuarystyki, prasy, publikowanych dokumentów, a także archiwaliów (na przykład z Archiwum Akt Nowych) wykorzystał dokument...
This rich, in-depth exploration of Dada’s roots in East-Central Europe is a vital addition to existing research on Dada and the avant-garde. Through deeply researched case studies and employing novel theoretical approaches, the volume rewrites the history of Dada as a story of cultural and political hybridity, border-crossings, transitions, and transgressions, across political, class and gender lines. Dismantling prevailing notions of Dada as a “Western” movement, the contributors to this volume present East-Central Europe as the locus of Dada activity and techniques. The articles explore how artists from the region pre-figured Dada as well as actively “cannibalized”, that is, reabsorbed and further hybridized, a range of avant-garde techniques, thus challenging “Western” cultural hegemony.
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KEYNOTE: This generously illustrated book explores the best works of contemporary art from Poland by a generation of artists who have made their careers since the fall of communism in the country in 1989. Polish artists such as Monika Sosnowska, Wilhelm Sasnal, Piotr Uklanski, Katarzyna Kozyra, and Robert Kusmirowski, among many others, enjoy considerable international renown and their works feature in major galleries and collections of art around the world. This book demonstrates how the fantastic and the magical, the mad and the absurd have been powerful forces in contemporary Polish art. Often sharply critical of the changing world in which they live, these artists sustain a tradition of ...
This volume presents the first comprehensive academic study of the history and development of performance art in the former communist countries of Central, Eastern and South Eastern Europe since the 1960s. Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists. The discussions are based on primary source material-interviews with the artists themselves. It offers a comparative study of the genre of performance art in countries and cities across the region, examining the manner in which artists addressed issues such as the body, gender, politics and identity, and institutional critique.