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Weird Fiction Quarterly does Folk Horror! Once again we bring you the finest in our now-signature 500 word flash fiction and exquisite poetry contributions, featuring over 60 writers from all around the globe and a dubious burlap sackful of color illustrations by our own Sarah Walker! Visit a strange, quaint village where the yearly festival is Everything. Call on the cunning woman or the witch doctor for a cure that might cost your very soul. Go deep into the woods in search of what may be a monster—or some forgotten god that Must be Appeased. Find a famous cryptid or two in (very) unexpected places! However you think of Folk Horror, hold onto your garland of flowers, because, as with every issue of Weird Fiction Quarterly, there is no possible way to prepare yourself for what could pop up in these pages. Portals open and close; trees are not what they seem. Tales from different countries and cultures intermingle. From the wilds you hear the reel of bewitching pipes. Whether or not you follow them, folks, things around these parts are about to get really weird!
My Happy Days in Hell (1962) is Gyorgy Faludy's grimly beautiful autobiography of his battle to survive tyranny and oppression. Fleeing Hungary in 1938 as the German army approaches, acclaimed poet Faludy journeys to Paris, where he finds a lover but merely a cursory asylum. When the French capitulate to the Nazis, Faludy travels to North Africa, then on to America, where he volunteers for military service. Missing his homeland and determined to do the right thing, he returns � only to be imprisoned, tortured, and slowly starved, eventually becoming one of only twenty-one survivors of his camp.
This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this “light” creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness, as articulated by today’s most challenging and exciting writers. The best horror writers of today do the same thing...
An in-depth analysis of the changes in the Hungarian Communist Party, the difficulties it experienced during the early stages, its development and internal structure, as well as its relationship with Moscow and the Komintern. It also treats of the well-known personalities of the party, including Bela Kun, Georg Lucacs, Matyas Rakosi, Laszlo Rajk, Imre Nagy and Janos Kadar. The translation also features a specially written preface, which up-dates events to 1989, including the death of Janos Kadar and the effects of "glasnost".
Biológiai gépek és vízi tündérek, élmunkás táltosok és underground vámpírkolóniák, hullámok fehérítése és játék a halállal: a 2018-ban indult antológiasorozat idei kötetében tizenöt különös és izgalmas novella található ismert és új szerzőktől.