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Following Françoise d’Eaubonne’s creation of the term “ecofeminism” in 1974, scholars around the world have explored ways that the degradation of the environment and the subjugation of women are linked. In the nearly three decades since the publication of the classical work Ecofeminism by Maria Mies and Vandana Shiva in 1993, several collections have appeared that apply ecofeminism to literary criticism, also known as feminist ecocriticism. The most recent of these include anthologies that emphasize international perspectives, furthering the comparative task launched by Mies and Shiva. To date, however, there have been no books devoted to gaining a broad-based understanding of feminist ecocriticism in India, understood in its own terms. Our new volume Indian Feminist Ecocriticism offers a survey of literature as seen through an ecofeminist lens by Indian scholars, which places contemporary literary analysis through a sampling of its diverse languages and in the context of millennia-old mythic traditions of India.
This collection assembles significant research papers on the concept of orality, theoretical approaches, and oral traditions juxtaposed with writing, culture, and folklore. Many of the essays also deal with issues of gender in oral cultures like those of Northeast India. The collection serves as an introduction to the varied ways in which the analysis of oral traditions has revitalized the quest for meanings in orality.
Theologies, no matter their designations, are public measures—they disclose as well as gauge the publics (near and far) on which they stand, sit, lie, or fall. Because publics shift and mingle, theologies require reimagining, relocating, and embracing fresh insights and energies. The insights and energies embraced in this work are in three clusters: spaces, bodies, and technologies. The spotlighted spaces are in Africa, Asia, Black America, the Caribbean, and Pasifika—beyond the eyes of mainline theologies; the privileged bodies have survived, with scars from empire and missionary positionings; and the welcomed technologies include Dalit, indigenous, art, poetry, cyborg, and the novel. This collection is troubling in several ways: first, reimagining and relocating are troubling acts upon their subject matter—here, public theologies. On that note, what theology is not public? Second, this work takes theologies in general, and not just the theologies that carry the “public” designation, to be public theologies. Third, this work takes theologies in general to be inherently troubling. In other words, theologies that are not troubling are not public enough.
This book offers interdisciplinary perspectives on nationalism in India and examines the ways in which literary-textual representations intervene in debates regarding Hindu, Muslim and other forms of Indian nationalism. The book interrogates questions of nationalism and nationhood in relation to literary and cultural texts, historic-linguistic contexts and new developments in queer nationalism and ecological nationalism. It adopts a nation-wide emphasis, including chapters on Northeast India and other regions that have been historically underrepresented in studies of Indian nationalism. Moreover, the volume explores a rich variety of literary works by various writers over the past two centur...
This book provides an understanding of the challenges in Northeast India in terms of the nature of flows and ruptures in the daily lives of people. It brings together multiple and interconnected issues of identity, development, environment, migration, land alienation and policy impacts to the forefront. Northeast India’s history is affected both by internal dynamic processes, as are its linkages with adjoining countries, marked by a fluid movement of people and goods across porous borders. The book explores how the region has emerged as a resource frontier for the global markets, yet its resource mobilization has led to disparity within the region. The volume discusses key themes concernin...
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A collection of poems.
After losing all his family in a terrible famine, a man leaves his village with just the clothes on his back, never once looking back. For endless miles he walks through a landscape as desolate as his heart. Until two ancient women who have waited for rain for four hundred years lead him to the Village of Weavers where a prophecy will be fulfilled. A single drop of rain will impregnate the tiger-widow and her son will slay the spirit-tiger. The traveller will help the woman bring up the boy. He will witness miracles and tragedy and come close to finding a home again. And he will learn that love and life are eternal. In her new novel, Easterine Kire, winner of the Hindu Prize, combines lyrical storytelling with the magic and wisdom of Naga legends to produce an unforgettable, life-affirming fable.