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Exhibitions have long played a crucial role in defining disciplinary histories. This fascinating volume examines the impact of eleven groundbreaking architecture and design exhibitions held between 1956 and 2006, revealing how they have shaped contemporary understanding and practice of these fields. Featuring written and photographic descriptions of the shows and illuminating essays from noted curators, scholars, critics, designers, and theorists, As Seen: Exhibitions that Made Architecture and Design History explores the multifaceted ways in which exhibitions have reflected on contemporary dilemmas and opened up new processes and ways of working. Providing a fresh perspective on some of the most important exhibitions of the 20th century from America, Europe, and Japan, including This Is Tomorrow, Expo '70, and Massive Change, this book offers a new framework for thinking about how exhibitions can function as a transformative force in the field of architecture and design.
Water has been an important topic in architecture and urban planning for years. The revitalization of the waterfront has been a prevalent trend in cities around the world. On the other hand, architecture also had to respond to the threat of floods. The theme of Building with Water is the use of water in architecture. It presents buildings that explicitly refer to water in their design and form. It establishes a typology of building by the water: residential structures, recreation facilities, industry and infrastructure, buildings for culture and art. The various design parameters are explored in four essays. Subsequently, twenty-two international projects are presented, organized according t...
This publication brings together six artists and designers working in Mexico at midcentury who expanded the horizons of modernism.
Published in conjunction with an exhibition of the same title organized by and presented at the Art Institute of Chicago, Dec. 11, 2010-July 20, 2011.
The newest volume in the Art Institute of Chicago's successful A+D series, Fashioning the Object invites readers to visit three of the most visionary design studios at work today: Bless, Boudicca, and Sandra Backlund. Fiercely independent and far-reaching in their influences, these young designers from Berlin, London, Paris, and Stockholm are producing fashion objects that straddle the line between traditional craft and cutting-edge technique, both in their use of materials and in the promotion of their brands. Zoë Ryan establishes the context for understanding the exciting departures these design houses represent, as the young creators draw inspiration from an array of other disciplines, including architecture, performance, film, and fine art. From Bless's numbered editions, to Boudicca's graffiti-can perfume, to Backlund's ready-to-wear pieces of knitted copper, these designers adapt storied objects to new uses and break old conventions, promulgating their ideas in playful, groundbreaking ways. Distributed for the Art Institute of Chicago Exhibition Schedule: The Art Institute of Chicago04/14/12-09/13/12
"The Good Life: New Public Spaces For Recreation explores how architects, designers, landscape architects, end artists ore reinventing urban public spaces to meet the needs of 21st-century recreation. Chosen for their innovative solutions and high-quality designs, the seventy projects provide a cross-section of some of the most interesting new spaces for leisure around the world."--BOOK JACKET.
You might think you know Poppy, but what if you were only just scratching the surface? What if you could learn more about Poppy at the same time that she learns about herself? Following the story of Poppy's Inferno, In between two worlds, both of which work to traumatize the unsuspecting into traumatizing others, Poppy finds herself in both literal and figurative Hellscapes, She must walk the thin line between doing what she must to gain her freedom and staying true to her own identity and beliefs. In Poppy's Inferno our hero must fight against all that try to change her, not allowing anyone to determine how she thinks, feels or hurts, all the while trying to outwit the demons that surround her every step of the way.
At Dwell, we're staging a minor revolution. We think that it's possible to live in a house or apartment by a bold modern architect, to own furniture and products that are exceptionally well designed, and still be a regular human being. We think that good design is an integral part of real life. And that real life has been conspicuous by its absence in most design and architecture magazines.
This book records a critical discussion of individual approaches to the representation of space in a museum through a series of conversations. Architecture and design exhibitions have long been important public sites of broadcasting, experimentation, position-taking, and the interrogation of fundamental aspects of the designed environment. Just as individual exhibitions have constituted key benchmarks within the disciplinary history of architecture, the representation and display of space through exhibitions has operated historically as a crucial medium for shaping and embodying broader cultural attitudes toward the design of the built world. In recent years, the specific formats and challen...