Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Disquiet
World Literature Today: Notable Translation of the Year PopMatters: Best Book of the Year From the internationally bestselling author of Serenade for Nadia, a powerful story of love and faith amidst the atrocities committed by ISIS against the Yazidi people. Disquiet transports the reader to the contemporary Middle East through the stories of Meleknaz, a Yazidi Syrian refugee, and Hussein, a young man from the Turkish city of Mardin near the Syrian border. Passionate about helping others, Hussein begins visiting a refugee camp to tend to the thousands of poor and sick streaming into Turkey, fleeing ISIS. There, he falls in love with Meleknaz—whom his disapproving family will call “the devil” who seduced him—and their relationship sets further tragedy in motion. A nuanced meditation on the nature of being human and an empathetic, probing look at the past and present of these Mesopotamian lands, Disquiet gives voice to the peoples, faiths, histories, and stories that have swept through this region over centuries.
The Last Island
From the internationally bestselling author of Disquiet, a brilliant political allegory that vividly illustrates how capitalism and authoritarianism harm us and the environment. Having failed to hold onto power after an ironfisted first term, the former President moves to a secluded island and decides to rid it of what he sees as its “anarchic” components. The island, described by its close-knit community as a utopia, the last peaceful resort for humankind, morphs into dystopia when the President, in the hope of bringing order to island life, begins to act more and more like a dictator. The first ones to revolt against him are the seagulls. Originally written in 2008 as a condemnation of the authoritarian Turkish regime, The Last Island has only grown more relevant, foreshadowing the events and aftermath of Istanbul’s bloody Gezi Park/Taksim Square political protests of 2013, as well as the protest movements of our time.
Leyla's House
None
Bliss
Already an international bestseller, this lyrical story ripped from the headlines embodies the sweep and contradictions of modern Turkey and shows that lovely things can happen in the space between wounded people.
Bliss
Peter Carey's astonishing debut novel is a fast-moving extravaganza, both funny and gripping, about a man who, recovering from death, is convinced that he is in hell.
The Migration Conference 2017 Programme and Abstracts Book
The Migration Conference 2017 hosted by Harokopio University, Athens from 23 to 26 August. The 5th conference in our series, the 2017 Conference was probably the largest scholarly gathering on migration with a global scope. Human mobility, border management, integration and security, diversity and minorities as well as spatial patterns, identity and economic implications have dominated the public agenda and gave an extra impetus for the study of movers and non-movers over the last decade or so. Throughout the program of the Migration Conference you will find various key thematic areas are covered in about 400 presentations by about 400 colleagues coming from all around the world from Australia to Canada, China to Mexico, South Africa to Finland. We are also proud to bring you opportunities to meet with some of the leading scholars in the field. Our line of keynote speakers include Saskia Sassen, Oded Stark, Giuseppe Sciortino, Neli Esipova, and Yüksel Pazarkaya.
Crescent and Star
Reports on conditions in Turkey at the beginning of the twenty-first century, looking at the country's potential to become a world leader, and examining the factors that could keep that from happening.
This Life Or the Next
"Tariq Khan is a Pakistani born and raised in Norway. An outsider in his own country-- adrift between two worlds divided by class, race, and culture-- he's always been searching for home. Alongside a flock of other streetwise young men, each looking for direction and each easily susceptible, Tariq finds his cause in the Muslim revival. Idealistic, driven by faith, and empowered with purpose, he's drawn to radical Islam-his last resort for achieving a sense of belonging, for embracing and being embraced. It's only when he enlists in the war against Syrian dictator Bashar al-Assad that Tariq's eyes are truly opened. Dispirited with the violence, faced with the consequences of his choices, and increasingly distanced by the brutalities of jihad, Tariq contends with spiritual struggles that are his alone. So are the stories he will tell to make sense of his life"--
Turkish Kaleidoscope
"When Jenny White arrived in Turkey in 1975 to pursue a master's degree in Ankara, she had no idea that the country and her university were already embroiled in a vicious civil war ... In the simple everyday act of attending class, she encountered armed personnel carriers, bullets, bombs, and other dangers. By the time she left in 1978, the polarized fury of street violence between groups professing 'leftist' and 'rightist' views had enveloped the entire country ... Based on the author's personal experiences and her in-depth oral history interviews with older Turks who lived through that tumultuous period--and informed by her years of ethnographic research in that country--this graphic narrative book explores the origins of political factionalism and its descent into violence in 1970s Turkey"--
Social Trauma and Telecinematic Memory
This book explores responses to authoritarianism in Turkish society through popular culture by examining feature films and television serials produced between 1980 and 2010 about the 1980 coup. Envisioned as an interdisciplinary study in cultural studies rather than a disciplinary work on cinema, the book advocates for an understanding of popular culture in discerning emerging narratives of nationhood. Through feature films and television serials directly dealing with the coup of 1980, the book exposes tropes and discursive continuities such as “childhood” and “the child”. It argues that these conventional tropes enable popular debates on the modern nation’s history and its myths of identity.
