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Transcultural Negotiations of Gender probes into how gender is negotiated along the two axes of ‘belonging’ and ‘longing’– the twin desires of being located within a cultural milieu, while yearning for either what has passed by or what is yet to come. It also probes into the category of ‘transculturality’ itself, by examining how not only does it pertain to the coming together of cultures from diverse spatial locations, but how shifts over time and changing performative modes and technological means of articulation, within what may be presumed to be the same culture, can also lead to the ‘transcultural’. The volume comprises four sections. Part I, ‘(Be)longing in Time’,...
The English-speaking world today is so diverse that readers need a gateway to its many postcolonial narratives and art forms. This collection of essays examines this diver¬sity and what brings so many different cul¬tures together. Whether Indian, Canadian, Australasian or Zimbabwean, the stories dis¬cussed focus on how artists render experi¬ences of separation, belonging, and loss. The histories and transformations postcolonial countries have gone through have given rise to a wide range of myths that retrace their birth, evolution, and decline. Myths have enabled ethnic communities to live together; the first section of this collection dwells on stories, which can be both inclusive and e...
The story of the Indian English novel is about the story of changing India. There was a time when education was a rare opportunity and speaking English was not considered necessary. The stories were already there spread all over the subcontinent in the myths, in the folklore and the umpteen languages and cultures that gossiped, conversed, laughed and cried. India has always been a land of stories.
Définir de façon univalente la notion de mythe et celle d'utopie semble en soi une entreprise tout à fait utopique. Par ailleurs, jumeler les deux notions, celle du mythe et celle d'utopie, reléve d'un processus de réflexion qui peut facilement être à double tranchant: le mythe, construction par excellende de l'imaginaire humain, ne se situe-t-il pas ailleurs que dans un non-lieu? -- et l'utopie, quant à elle, ne fait-elle pas écho au mythe, à la fois s'en inspirant, le niant et le transformant? Redondance possible, et aussi, parfois, refus des deux domaines à admettre leur interdépendance, cheninement parallèle surtout et création commune de ce qui, en fin de compte, s'avère mythe transformé, utopie revistée. Toutefois, mythes et utopies quels que soient la position choisie, le point de vue défendu, semblent faire bon ménage, à en juger par ce projet, mavec dix-neuf textes couvrant principalement la littérature contemporaine des femmes, mais puisant parfois aux oeuvres antérieures qui ont déjà préparé le terrain, en offrant des visions d'existences idylliques -- ne serait-ce que littéraires.
Critical Perspectives on Chitra Banerjee Divakaruni: Feminism and Diaspora offers insights into Chitra Banerjee Divakaruni’s provocative and popular fiction. In their engaging and comprehensive introduction, editors Amritjit Singh and Robin Field explore how Divakaruni’s short stories and novels have been shaped by her own struggles as a new immigrant and by the influences she imbibed from academic mentors and feminist writers of color. Twelve critical essays by both aspiring and experienced scholars explore Divakaruni's aesthetic of interconnectivity and wholeness as she links generations, races, ethnicities, and nations in her depictions of the diversity of religious and ethnic affilia...
Ecocritics and Ecoskeptics examines environmental themes and questions about the evolving relationship between humans and animals in nine modern and contemporary French novels. Considering arguments from both environmentalists and ecoskeptics, it concludes that, far from distancing itself from humanism as it often has, environmentalism must embrace an inclusive and ecological humanism.
This is the first extended analysis of Simon’s novels, examining the relationship between the work of the French Nobel prize-winning novelist Claude Simon and that of a number of visual artists whose work he has used as stimuli in the production of his novels.
An up-to-date, comprehensive and interdisciplinary interpretationof notions of evil in French literature and thought.
From the appearance of Bound to Violence in the late 1960s, Yambo Ouologuem has been one of Africa's most controversial writers. For some critics, the young Malian signaled an entirely new direction for African letters: a fiercely courageous postindependence literature. For others, his novel revealed too much, bringing to light horrors many preferred to ignore. Today Ouologuem is credited with delivering the final death-blow to Senghorian negritude, thus clearing the way for a more honest literature divested of the longing for a false African past. This book gathers the most important essays on Ouologuem from critics on three continents. Wise also includes his recent interviews with the reclusive author and a companion essay on Ouologuem's present life among the Tidjaniya Muslims of northern Mali.