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The Song That I Am: On the Mystery of Music is a short but full-to-the-brim essay on the decisive role that great music (whether Bach, Tavener, or Gregorian chant) ought to play in the spiritual life. With admirable restraint Élisabeth-Paule Labat shares her interior experience of music and thus continually opens up fresh vistas through worlds of sound and spirit. With her uncanny gift of language, Labat precisely describes soundings and yearnings of the soul that many of us glimpse fleetingly. Because "only the lover sings" (St. Augustine), her final illumination is that the experience of profound music ought to transform us into the beauty that we hear.
Established at Old Oscott in Birmingham, England, in 1980, the Maryvale Institute provides a variety of part-time and distance learning courses to the lay faithful, consecrated religious and ministers of the Roman Catholic Church. Maryvale’s doctoral research programme in Catholic Studies is conducted in collaboration with, and accredited by, Liverpool Hope University. Successful students receive an award of a Doctor of Philosophy (PhD) degree from the University. This book is the third in a series of volumes concerned with the outcomes of that doctoral research programme. It provides an overview of the breadth of work by its students in the UK, USA, South America and Africa and their contribution to new knowledge in the area of Catholic studies, a wide field including history, literature, philosophy, spirituality, and theology.
This valuable book encourages music leaders to step-up and persevere in low-resource contexts, and challenges all those who lead music in worship to focus not just on producing musical results but on building Christlike communities.
Includes entries for maps and atlases.
Taking seriously the practice and not just the theory of music, this ground-breaking collection of essays establishes a new standard for the interdisciplinary conversation between theology, musicology, and liturgical studies. The public making of music in our society happens more often in the context of chapels, churches, and cathedrals than anywhere else. The command to sing and make music to God makes music an essential part of the DNA of Christian worship. The book’s three main parts address questions about the history, the performative contexts, and the nature of music. Its opening four chapters traces how accounts of music and its relation to God, the cosmos, and the human person have...
This book examines three aspects of Rolle’s thinking used throughout this work: his ontology, phenomenology, and sound ecology. These facets of his work invoke both a way of understanding being in the world, an opening up of the body in queer ways to experience the divine, and a way to consider divine contemplation in terms of singing the body. Queering Richard Rolle considers how Rolle navigates queer, eremitic conduct in order to create an identity always in process
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