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"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
This report provides a review and analysis of the research landscape for zoonoses and marginalized infections which affect poor populations, and a list of research priorities to support disease control. The work is the output of the disease reference group on zoonoses and marginalized infectious diseases (DRG6), which is part of an independent think tank of international experts, established and funded by the Special Programme for Research and Training in Tropical Diseases (TDR), to identify key research priorities through the review of research evidence and input from stakeholder consultations. The report covers a diverse range of diseases including zoonotic helminth protozoa, viral and bac...
The global burden of disease: 2004 update is a comprehensive assessment of the health of the world's population. It provides detailed global and regional estimates of premature mortality, disability and loss of health for 135 causes by age and sex, drawing on extensive WHO databases and on information provided by Member States.--Publisher description.
The twentieth century saw a proliferation of media discourses on colonialism and, later, decolonisation. Newspapers, periodicals, films, radio and TV broadcasts contributed to the construction of the image of the African “Other” across the colonial world. In recent years, a growing body of literature has explored the role of these media in many colonial societies. As regards the Italian context, however, although several works have been published about the links between colonial culture and national identity, none have addressed the specific role of the media and their impact on collective memory (or lack thereof). This book fills that gap, providing a review of images and themes that have surfaced and resurfaced over time. The volume is divided into two sections, each organised around an underlying theme: while the first deals with visual memory and images from the cinema, radio, television and new media, the second addresses the role of the printed press, graphic novels and comics, photography and trading cards.
“I work everyday in these fields, I am ankle-deep in mud, all I smell is pattume, and in a couple of hours il vento will blow dirt and debris in my face. Next month the rains will come; they will soak me through, and I will have to carry those wet sprout sacks up and down these muddy rows. I work ten to twelve hours every day for very little money. My young son is sick and I cannot pay the doctor. My young wife is pregnant and our second baby is on its way. Where will I get the money to feed another mouth? I promised my beautiful wife an easy life in America; all she got was hard work and desperate times. If there is a God up there, why doesn’t he show himself? Why doesn’t he make my son well? Why doesn’t he help me? I need more money! O God, if you are up there, why don’t you wave your hand, and make things better for me?” Not really expecting an answer, the rancere lowered his head and with his shavola slowly returned to working the soil. Then from out of the thick, eerie mist, he thought he heard someone, perhaps a woman, say in a soft and gentle voice: “O rancere mi. Don’t you know? You live su per la costa—not Heaven.”