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Iconografía mexicana V
En este libro diferentes autores analizan las manera en que el mexicano ha expresado plásticamente las ideas sobre la vida, la muerte y la transfiguración a lo largo de la historia
A Revolution in Movement
Honorable Mention, Latin American Studies Association Mexico Section Best Book in the Humanities A Revolution in Movement is the first book to illuminate how collaborations between dancers and painters shaped Mexico’s postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dance—the emulation of Diaghilev’s Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s. Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tortóla Valencia, who helped motivate Mexico to express...
Queering the Public Sphere in Mexico and Brazil
Queering the Public Sphere in Mexico and Brazil is a groundbreaking comparative analysis of the historical development and contemporary dynamics of LGBT activism in Latin America’s two largest democracies. Rafael de la Dehesa focuses on the ways that LGBT activists have engaged with the state, particularly in alliance with political parties and through government health agencies in the wake of the AIDS crisis. He examines this engagement against the backdrop of the broader political transitions to democracy, the neoliberal transformation of state–civil society relations, and the gradual consolidation of sexual rights at the international level. His comparison highlights similarities betw...
The Human Tradition in Mexico
Table of contents
Manuel Rodríguez Lozano
"Catalog of an 1998 anthological exhibition of 52 works at the Museo de Arte Moderno (Mexico City). Teresa del Conde writes the presentation, and Beatriz Zamorano and Alfonso Colorado give an updated perspective on the artist's work, which draws inspiration from the universal and native alike. Rodríguez Lozano's painting, however, bears the artist's own imprint"--Handbook of Latin American Studies, v. 58.
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