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Reality TV
This book analyses new and hybrid genres of television including observational documentaries, talk shows, game shows, docu-soaps, dramatic reconstructions, law and order programming and 24/7 formats such as Big Brother and Survivor.
Class and Contemporary British Culture
How does culture articulate, frame, organise and produce stories about social class and class difference? What do these stories tell us about contemporary models of success, failure, struggle and aspiration? How have class-based labels been revived or newly-minted to categorise the insiders and outsiders of the new 'age of austerity'? Drawing on examples from the 1980s to the present day this book investigates the changing landscape of class and reveals how it has become populated by a host of classed figures including Essex Man and Essex Girl, the 'squeezed middle', the 'sharp-elbowed middle class', the 'feral underclass', the 'white working class', the 'undeserving poor', 'selfish baby boomers' and others. Overall, the book argues that social class, although complicated and highly contested, remains a valid and fruitful route into understanding how contemporary British culture articulates social distinction and social difference and the significant costs and investments at stake for all involved.
Crime, Fear and the Law in True Crime Stories
Anita Biressi examines the historical origins and development of true crime and its evolution into distinctive contemporary forms. Embracing a range of non-fiction accounts including true crime books and magazines, law and order television, and popular journalism, Biressi traces how they harness and explore current concerns about law and order, crime and punishment, and personal vulnerability.
Crime, Fear and the Law in True Crime Stories
Why do true crime stories exert such popular fascination? What do they have to say about the fear of crime in the present moment? This book examines the historical origins and development of true crime and its evolution into distinctive contemporary forms. Embracing a range of non-fiction accounts - true crime book and magazines, law and order television, popular journalism - it traces how they harness and explore current concerns about law and order, crime and punishment and personal vulnerability.
Journalism and Crime
Through a critical, transdisciplinary approach, Journalism and Crime offers a chronological interrogation of crime journalism from its first origins in 16th century print, to a transatlantic phenomenon in the 19th century and through to the complex networked digital spheres of the current day. This is the first book to historicise the development of journalism and crime together in relation to the people on both sides of the exchange. Taking a 470-year historical sweep, it tracks the cultural, political and social significance of crime journalism and its place as the longest sustained genre of media. It emphasises how crime journalism both reflects and drives shifts in media ownership, the priorities of profit, use of new technologies and legal and political governance. Written in an accessible style, this is essential reading for courses that consider the development and nature of journalism as well as supplementary reading for broader courses within journalism, communication, media studies, criminology, sociology and history.
Representing Communities
This edited collection offers the latest research into the reproduction of ‘hegemonic’ discourse and the ways in which the description and evaluation of social groups affects their ability to exercise cultural and political autonomy. The book examines the representations of a number of communities and social groups, both within their ‘micro-contexts’, and with reference to the economic, political, social, cultural and technological ‘macro-contexts’ in which they are embedded. The analysis highlights the connections between discourse, power, dominance and social inequality, focusing on patriarchal, capitalist and postcolonial representations and power imbalances. Based on a combination of theoretical and empirical analyses, the collection offers an array of macro-social critiques based on the analysis and critical understanding of contemporary contexts and representations, and how they contribute to political, social, economic and cultural practices.
The Tabloid Culture Reader
The Tabloid Culture Reader provides an accessible and useful introduction to the field.
Tabloid Journalism in South Africa
"A much needed media history and political and social assessment of a genre that is currently very much the subject of conjecture."---Sean Jacobs, University of Michigan --
Consuming History
Consuming History examines how history works in contemporary popular culture. Analysing a wide range of cultural entities from computer games to daytime television, it investigates the ways in which society consumes history and how a reading of this consumption can help us understand popular culture and issues of representation. In this second edition, Jerome de Groot probes how museums have responded to the heritage debate and how new technologies from online game-playing to internet genealogy have brought about a shift in access to history, discussing the often conflicted relationship between ‘public’ and academic history and raising important questions about the theory and practice of...
Handbook of Peace and Conflict Studies
This major new Handbook provides a cutting-edge and transdisciplinary overview of the main issues, debates, state-of-the-art methods, and key concepts in peace and conflict studies today. The fields of peace and conflict studies have grown exponentially since being initiated by Professor Johan Galtung half a century ago. They have forged a transdisciplinary and professional identity distinct from security studies, political science, and international relations. The volume is divided into four sections: understanding and transforming conflict creating peace supporting peace peace across the disciplines. Each section features new essays by distinguished international scholars and professionals...
