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Ballet and Opera in the Age of Giselle
Marian Smith recaptures a rich period in French musical theater when ballet and opera were intimately connected. Focusing on the age of Giselle at the Paris Opéra (from the 1830s through the 1840s), Smith offers an unprecedented look at the structural and thematic relationship between the two genres. She argues that a deeper understanding of both ballet and opera--and of nineteenth-century theater-going culture in general--may be gained by examining them within the same framework instead of following the usual practice of telling their histories separately. This handsomely illustrated book ultimately provides a new portrait of the Opéra during a period long celebrated for its box-office su...
Stem Cells—Advances in Research and Application: 2012 Edition
Stem Cells—Advances in Research and Application: 2012 Edition is a ScholarlyEditions™ eBook that delivers timely, authoritative, and comprehensive information about Stem Cells. The editors have built Stem Cells—Advances in Research and Application: 2012 Edition on the vast information databases of ScholarlyNews.™ You can expect the information about Stem Cells in this eBook to be deeper than what you can access anywhere else, as well as consistently reliable, authoritative, informed, and relevant. The content of Stem Cells—Advances in Research and Application: 2012 Edition has been produced by the world’s leading scientists, engineers, analysts, research institutions, and companies. All of the content is from peer-reviewed sources, and all of it is written, assembled, and edited by the editors at ScholarlyEditions™ and available exclusively from us. You now have a source you can cite with authority, confidence, and credibility. More information is available at http://www.ScholarlyEditions.com/.
Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris
Nineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Académie Royale de Musique, Opéra-Comique, Théâtre Italien, Théâtre Royal de l'Odéon and Théâtre de la Renaissance. This book both tracks specific aspects of this culture, and examines stage music in Paris through the lens of one of its most important figu...
French Perceptions of the Early American Republic, 1783-1793
Hill contends that French officials in the postwar decade had already perceived a deep-rooted Amer. indifference, even hostility, to a number of vital French nat. interests. The author examines the harsh disappointments & frustrations these officials experienced in their dealings with Amer. in the 1780s, whether on the high seas, or in U.S. courts & customs houses, in the halls of Congress, or in their encounters with Amer. attitudes. These essays add to what is already known about France's difficulties with the U.S. in this era. Not so well known, however, are: how French officials perceived these problems; what solutions they sought; or how keenly frustrated they became when, despite Amer. protestations of gratitude for French assistance during the war for independence, they found self-interested Amer. unwilling to heed the least claims of an erstwhile ally.
