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"It's a funny old house. They have this ceremony every summer . . . There's an old chapel, in the grounds of the house. It's half-derelict. The Hunters keep bees in there. Every year, on the same day, the family processes to the chapel. They open the combs, taste the honey. Take it back to the house. Half for them -" my father winced, as though he had bitten down on a sore tooth. "And half for us." Catherine, a successful barrister, vanishes from a train station on the eve of her anniversary. Is it because she saw a figure - someone she believed long dead? Or was it a shadow cast by her troubled, fractured mind? The answer lies buried in the past. It lies in the events of the hot, seismic su...
A comprehensive, accessible course in landscape painting with acrylics from a seasoned artist and teacher. Author Charles Evans’s no-nonsense techniques and engaging writing style bring acrylic painting within the grasp of anyone keen to dive into this versatile and popular medium. The book begins with excellent advice for the beginner, including easy drawing for painting, composition, easy perspective, light and shade, color, and how to use acrylics with different painting styles. There are six full step-by-step painting projects ranging from simple skies to snowy landscapes with horses, each of which is supported by additional exercises and techniques. The step-by-step projects allow aspiring artists to put into practice their new-found skills, and produce six stunning paintings of their own, in a range of styles. A pull-out outline drawing is provided for every project, and Charles shows how to transfer these onto the painting surface. Charles’s irreverent style makes learning to paint with acrylics easy and fun.
How does a Christian render unto Caesar what is Caesar's, and unto God what is God's? This book is the result of the Bingham Colloquium of 2007 that brought scholars from across North America to examine the New Testament's response to the empires of God and Caesar. Two chapters lay the foundation for that response in the Old Testament's concept of empire, and six others address the response to the notion of empire, both human and divine, in the various authors of the New Testament. A final chapter investigates how the church fathers regarded the matter. The essays display various methods and positions; together, however, they offer a representative sample of the current state of study of the notion of empire in the New Testament.
The contributors to this volume are convinced that previous engagements from Christian perspectives with the question of gender have tended to focus on female problems and viewpoints in isolation, or, conversely, on male problems and viewpoints. It seemed particularly important to try to unite reflections on both genders within one discussion on the assumption that such a consideration would yield more than the sum of two parts. Furthermore, that consciously relational reflection was to be attempted in specific dialogue with trinitarianism; another rather neglected area in the gender debates. And thus yields reflections in two directions: the impact of the Trinity on gender discussions, alongside a consideration of the impact of gender constructions on our conceptions of the Trinity.
Reasoning to the mind is like breathing to the lungs. We are constantly doing it, but rarely take notice. If it fails, however, we are paralyzed. Imagine being unable to infer conclusions from a conversation or being unable to reach a solution to an important life problem. This book focuses on how people draw conclusions from information and discusses the roles that the brain, our memory, and our knowledge play in drawing conclusions in everyday life.
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