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Mythology for centuries has served as humanity's window into understanding its distant past. In our modern world, storytelling creates its own myths and legends, in media ranging from the world of television and cinema to literature and comic books, that help us make sense of the world we live in today. What is the "Mytharc"? How did it arise? How does it inform modern long-form storytelling? How does the classical hero's journey intersect with modern myths and narratives? And where might the storytelling of tomorrow take readers and viewers as we imagine our future? From The X-Files to H.P. Lovecraft, from Lost to the Marvel cinematic universe and many worlds beyond, this study explores our modern storytelling mythology and where it may lead us.
A searing memoir of American racism from a Somali-American who survived hardships in his birth country only to experience firsthand the dehumanization of Black people in his adopted land, the United States. “No one told me about America.” Born in Somalia and raised in a valley among nomads, Boyah Farah grew up with a code of male bravado that helped him survive deprivation, disease, and civil war. Arriving in America, he believed that the code that had saved him would help him succeed in this new country. But instead of safety and freedom, Boyah found systemic racism, police brutality, and intense prejudice in all areas of life, including the workplace. He learned firsthand not only what...
The city of Ro Canarn burns. The armies of the Red march upon the northern lords. And the children of a dead god are waking from their long slumber... The Duke of Canarn is dead, executed by the King's decree. The city lies in chaos, its people starving, sickening, and tyrannized by the ongoing presence of the King's mercenary army. But still hope remains: the Duke's children, the Lord Bromvy and Lady Bronwyn, have escaped their father's fate. Separated by enemy territory, hunted by the warrior clerics of the One God, Bromvy undertakes to win back the city with the help of the secretive outcasts of the Darkwald forest, the Dokkalfar. The Lady Bronwyn makes for the sanctuary of the Grass Sea and the warriors of Ranen with the mass of the King's forces at her heels. And in the mountainous region of Fjorlan, the High Thain Algenon Teardrop launches his Dragon Fleet against the Red Army. Brother wars against brother in this, the epic first volume of the long war. Please note: Great care has been taken to make sure this ebook is both beautiful and highly functional.
'An absorbing collaborative effort from the two giants of SF' Guardian A generation after the events of The Long Earth, mankind has spread across the new worlds opened up by Stepping. Where Joshua and Lobsang once pioneered, now fleets of airships link the stepwise Americas with trade and culture. Mankind is shaping the Long Earth – but in turn the Long Earth is shaping mankind ... A new ‘America’, called Valhalla, is emerging more than a million steps from Datum Earth, and it is growing restless . . . Meanwhile the Long Earth is suffused by the song of the trolls, graceful hive-mind humanoids. But the trolls are beginning to react to humanity’s thoughtless exploitation . . . And a gathering multiple crisis that threatens to plunge the Long Earth into a war unlike any mankind has waged before. ____________________ The Long War is the second in The Long Earth series.
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One game. Six students. Five survivors. It was only ever meant to be a game. A game of consequences, of silly forfeits, childish dares. A game to be played by six best friends in their first year at Oxford University. But then the game changed: the stakes grew higher and the dares more personal, more humiliating, finally evolving into a vicious struggle with unpredictable and tragic results. Now, fourteen years later, the remaining players must meet again for the final round.
There is a current revival of Black Consciousness, as political and student movements around the world – as well as academics and campaigners working in decolonization – reconfigure the continued struggle for socio-economic revolution. Yet the roots of Black Consciousness and its relation to other movements such as Black Lives Matter have only begun to be explored. Black Consciousness has deep connections to the struggle against apartheid. The Black Consciousness Reader is an essential collection of history, culture, philosophy and meaning of Black Consciousness by some of the thinkers, artists and activists who developed it in order to finally bring revolution to South Africa. A contrib...
Tells how black and Puerto Rican crime groups are taking over organized crime from the Italian Mafia.
In 1934 the republic of Haiti celebrated its 130th anniversary as an independent nation. In that year, too, another sort of Haitian independence occurred, as the United States ended nearly two decades of occupation. In the first comprehensive political history of postoccupation Haiti, Matthew Smith argues that the period from 1934 until the rise of dictator Francois "Papa Doc" Duvalier to the presidency in 1957 constituted modern Haiti's greatest moment of political promise. Smith emphasizes the key role that radical groups, particularly Marxists and black nationalists, played in shaping contemporary Haitian history. These movements transformed Haiti's political culture, widened political discourse, and presented several ideological alternatives for the nation's future. They were doomed, however, by a combination of intense internal rivalries, pressures from both state authorities and the traditional elite class, and the harsh climate of U.S. anticommunism. Ultimately, the political activism of the era failed to set Haiti firmly on the path to a strong independent future.
The African diaspora a direct result of the transatlantic slave trade and Western colonialism has generated a wide array of artistic achievements, from blues and reggae, to the paintings of the pioneering African American artist Henry Ossawa Tanner and video creations of contemporary hip-hop artists. This book concentrates on how these works, often created during times of major social upheaval and transformation, use black culture both as a subject and as context. From musings on the souls of black folk in late nineteenth-century art, to questions of racial and cultural identities in performance, media, and computer-assisted arts in the twenty-first century, this book examines the philosophical and social forces that have shaped a black presence in modern and contemporary visual culture. Now updated, this new edition helps us understand better how the first two decades of the twenty-first century have been a transformative moment in which previous assumptions about race, difference, and identity have been irrevocably altered, with art providing a useful lens through which to think about these compelling issues.