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Storytelling as a fundamental human impulse, one that announces itself at the moment, hidden in infancy, that dreams begin—this is what the poet and critic Randall Jarrell set out to illuminate in this extraordinary book. Here Jarrell presents ballads, parables, anecdotes, and legends along with some of the finest work of Chekhov, Babel, Elizabeth Bowen, Isak Dinesen, Kafka, Peter Taylor, and Katherine Anne Porter. This wonderful anthology, with its celebrated introductory essay, enlarges and deepens our perception of the storyteller's art and its central place in the world of our feelings. Contents RANDALL JARRELL: Introduction FRANZ KAFKA: A Country Doctor ANTON CHEKHOV: Gusev RAINER MAR...
Formed on the South Side of Chicago in 1968 at the height of the civil rights, Black power, and Black arts movements, the AFRICOBRA collective created a new artistic visual language rooted in the culture of Chicago's Black neighborhoods. The collective's aesthetics, especially the use of vibrant color, capture the rhythmic dynamism of Black culture and social life. In AFRICOBRA, painter, photographer, and collective cofounder Wadsworth A. Jarrell tells the definitive story of the group's creation, history, and artistic and political principles. From accounts of the painting of the groundbreaking Wall of Respect mural and conversations among group members to documentation of AFRICOBRA's exhibits in Chicago, New York, and Boston, Jarrell outlines how the collective challenged white conceptions of art by developing an artistic philosophy and approach wholly divested of Western practices. Featuring nearly one hundred color images of artworks, exhibition ephemera, and photographs, this book is at once a sourcebook history of AFRICOBRA and the story of visionary artists who rejected the white art establishment in order to create uplifting art for all Black people.
In 1909, real estate developer Orlando D. Jarrell had a vision: He would sell lots near the Bartlett Western Railroad site and name the town Jarrell. When the railroad bypassed the nearby town of Corn Hill and Jarrells lots began to sell, the residents of Corn Hilland their housesmoved to the promising, new town. Rock quarries became and are still a mainstay of this area, shipping limestone all over the world. About 200 vintage photographs illustrate the time between 1855 and more recent years, including the monstrous 1997 tornado that put Jarrell into the national spotlight.
Randall Jarrell (1914–1965) was the most influential poetry critic of his generation. He was also a lyric poet, comic novelist, translator, children's book author, and close friend of Elizabeth Bishop, Robert Lowell, Hannah Arendt, and many other important writers of his time. Jarrell won the 1960 National Book Award for poetry and served as poetry consultant to the Library of Congress. Amid the resurgence of interest in Randall Jarrell, Stephen Burt offers this brilliant analysis of the poet and essayist. Burt's book examines all of Jarrell's work, incorporating new research based on previously undiscovered essays and poems. Other books have examined Jarrell's poetry in biographical or fo...
Randall Jarrell was only fifty-one at the time of his death, in 1965, yet he created a body of work that secured his position as one of the century's leading American men of letters. Although he saw himself chiefly as a poet, publishing a number of books of poetry, he also left behind a sparkling comic novel, four children's books, numerous translations, haunting letters, and four collections of essays. Edited by Brad Leithauser, No Other Bookdraws from these four essay collections, reminding us that Jarell the poet was also, in the words of Robert Lowell, "a critic of genius."
About Poetry and the Age: "Perhaps the most comprehensive and certainly the most detailed of all studies of modern poetry."-- Delmore Schwartz, New York Times Book Review "Randall Jarrell's book about poetry and the criticism of poetry pulls the bung-cork out of the barrel. The reader is exhilarated, led on to agree with Mr. Jarrell joyfully, even to cap his opinions--and at last to grow reckless. . . . Poetry and the Age is enormously readable."-- Louis Simpson, The American Scholar "The most powerful reviewer of poetry active in this country for the last decade. . . . Everybody interested in modern poetry ought to be grateful to him." -- John Berryman, New Republic Randall Jarrell was the ...
The role of the poet, Mary Kinzie writes, is to engage the most profound subjects with the utmost in expressive clarity. The role of the critic is to follow the poet, word for word, into the arena where the creative struggle occurs. How this mutual purpose is served, ideally and practically, is the subject of this bracingly polemical collection of essays. A distinguished poet and critic, Kinzie assesses poetry's situation during the past twenty-five years. Ours, she contends, is literally a prosaic age, not only in the popularity of prose genres but in the resultant compromises with truth and elegance in literature. In essays on "the rhapsodic fallacy," confessionalism, and the romance of pe...
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