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A.R. Penck
Catalogue to accompany exhibition at Waddington Galleries, 26 May - June 1982.
A.R. Penck
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A.R. Penck
- Showcases the work of internationally acclaimed German artist A.R. Penck (1939-2017). 2019 marks 80 years since his birth; it is also the 30-year-anniversary of the end of the Cold War- The project honors an important artist who emigrated from East to West Germany and whose work addresses issues facing modern man in society- Published to accompany a show at the Ashmolean, Oxford, from 27 June to 3 November, 2019The artistic language of A.R. Penck (1936-2017) - characterised by brusquely and expressively painted signs and 'primitive' symbols - is instantly recognisable. Abiding interests in systems theory and cybernetics, as well as pre-historic cultures and science fiction, guided his art ...
A.R. Penck
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A.R. Penck
Ralf Winckler, better known under the name A.R. Penck (1939-2017), is one of the greatest German artists of the late twentieth century (along with Georg Baselitz, Markus L�pertz, Sigmar Polke and J�rg Immendorff).The exhibition at the Fondation Maeght, chooses another point of view. It's focus is on the challenges of his painting and sculpture through different periods chosen to give a better understanding of the richness of his aesthetic, existential, philosophical and literary worlds. It presents one hundred paintings, sculptures, large sets of drawings, prints and Penck's artists' books.Penck invented a colourful pictorial language expressing the rhythm of a constant back and forth be...
A.R. Penck
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Being and Essence, the Unknown A.R. Penck
This volume is the catalog to an exhibition to be held at the Staedtische Galerie Dresden, which will feature Penck's works from a large private collection. It features nearly 500 illustrations from the 1950s when Penck first began his artistic career to 1980 when he emigrated from East Germany. Born Ralf Winkler in 1939, Penck witnessed the bombing of his hometown of Dresden in 1945. The shockwaves of that experience can be sensed through his dramatic and bold works. For years Penck practiced his art "underground," away from the intrusive eyes of the Communist regime that were sensitive to the artist's use of symbolism and archetypes. As these restrictions loosened in the 1980s, Penck allowed himself to create larger, more gestural and figurative paintings. This evolution, from the "unspoken" to the overt, becomes evident in this volume, which includes beautifully reproduced images of his paintings, drawings, and prints, and provides audiences with a fuller understanding of the underlying themes of this highly regarded artist.
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