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The Return of Faraz Ali
WINNER OF THE WRITERS' GUILD OF GREAT BRITAIN BEST FIRST NOVEL AWARD SHORTLISTED FOR THE GORDON BOWKER VOLCANO AND MCKITTERICK PRIZES 'A stunning debut novel' Kamila Shamsie 'An impressive, gripping debut' The Times 'Rich and deeply moving . . . marvellous' Yaa Gyasi Pakistan, 1968. As riots erupt in the streets of Lahore, Inspector Faraz Ali returns to his birthplace, the red-light district in the walled inner city. Wrested from it as a child by his powerful father to be raised by a respectable family, Faraz has hidden his roots ever since. Now his father has sent him back: to cover up the murder of a young courtesan. It should be a simple task, but for once Faraz finds himself unable to obey orders - nor can he resist searching for the mother and sister he left behind. Chasing after answers that risk shattering his precariously constructed existence, Faraz is unaware that his sister also faces a return to the old city, and to the life she thought she had escaped. 'A gripping read that does not let you go, even after the end' Maaza Mengiste ' Stunning . . . fully human, fully engaged with what makes us human' New York Times Book Review
The Dishonoured
Surrounded by lies and deceit how do you work out who is telling the truth? When highly decorated war hero, Colonel Tariq joins the intelligence agency, his rise to the top seems assured. But in his first case he discovers a CIA agent has killed a young prostitute and a diplomatic crisis erupts.As the two nations negotiate, angry mobs take to the streets and he is caught up in a national scandal. Tariq is instructed to eliminate the only witness and instigate a cover up, trapping him in a terrible moral dilemma. As his professional ambition and private life collide, he must make a life changing decision that will have far reaching consequences for the future of his family and his country.
The Art of Screen Adaptation
'If you decide to adapt a classic or much-loved book, your working maxim should be, 'How will it work best as a film?' However faithful it is to the original, if it's not interesting onscreen then you've failed.' - William Boyd in Story and Character: Interviews with British Screenwriters Hollywood. Netflix. Amazon. BBC. Producers and audiences are hungrier than ever for stories, and a lot of those stories begin life as a book - but how exactly do you transfer a story from the page to the screen? Do adaptations use the same creative gears as original screenplays? Does a true story give a project more weight than a fictional one? Is it helpful to have the original author's input on the script...
And the World Changed
The only English-language anthology by Pakistani women published in the United States, And the World Changed goes beyond the sensational headlines to reveal the stories of Pakistani women. Immigrants and refugees, travelers and explorers, seasoned authors and fresh voices, the twenty-five writers in this volume are as dynamic and diverse as their stories. Sixty years have passed since the Partition of India, and it’s clear that Pakistani writers have established their own literary tradition to record the stories of their communities. Famed novelist Bapsi Sidhwa portrays a Pakistani community in Houston, Texas, still struggling to heal from the horrors of Partition. In Uzma Aslam Khan’s t...
American Fever
'A subversive debut' GUARDIAN 'Prose that dances with charge and potency' LOS ANGELES REVIEW OF BOOKS *WINNER of a 2023 ASIAN/PACIFIC AMERICAN AWARD FOR LITERATURE and a 2023 SOUTH ASIA BOOK AWARD* On a year-long exchange programme, sixteen-year-old Hira must swap the bustle of urban Pakistan for church and volleyball practice in rural Oregon. Stuck between two worlds, her experience of America is sometimes freeing, sometimes painful, often quite painful. And while she faces racism and Islamophobia, she also makes new friends and has her first kiss. But when her new life is blown apart by a shocking health crisis, Hira's sense of belonging is overturned once again - forcing her to consider her place in the world. 'Marks the debut of a thrilling new global voice' Peter Ho Davies, author of The Fortunes
Mother Country
Winner of the 2022 Ernest J. Gaines Award for Literary Excellence Shortlisted for the 2023 Hurston/Wright Legacy Award for Fiction Finalist for the 2023 Mark Twain American Voice in Literature Award A transnational feminist novel about human trafficking and motherhood from an award-winning author. Saddled with student loans, medical debt, and the sudden news of her infertility after a major car accident, Shannon, an African American woman, follows her boyfriend to Morocco in search of relief. There, in the cobblestoned medina of Marrakech, she finds a toddler in a pink jacket whose face mirrors her own. With the help of her boyfriend and a bribed official, Shannon makes the fateful decision ...
A Golden Age
Spring, 1971, East Pakistan. Rehana Haque is throwing a party for her beloved children, Sohail and Maya. Her young family is growing up fast, and Rehana wants to remember this day forever. But out on the hot city streets, something violent is brewing. As the civil war develops, a war which will eventually see the birth of Bangladesh, Rehana struggles to keep her children safe and finds herself facing a heartbreaking dilemma.
The Bride's Mirror
Muslim Family And Social Life In Old Delhi, With Its Crowded Markets And Narrow Lanes, Its Festivals And Weddings, Moneylenders And Cheats, Spiteful Servants And Machinating Mothers, Have Never Been As Vividly And Energetically Portrayed As In This Novel, The First Bestseller In Urdu. This Translation, Done In 1903 By An Admiring Englishman, Is A Classic Now Back In Print After A Century.
Siyasi Muslims
How do we make sense of the Muslims of India? Do they form a political community? Does the imagined conflict between Islam and modernity affect the Muslims' political behaviour in this country? Are Muslim religious institutions-mosques and madrasas-directly involved in politics? Do they instruct the community to vote strategically in all elections? What are 'Muslim issues'? Is it only about triple talaq? Are Muslims truly nationalists? Or do they continue to remain just an 'other' in India? While these questions intrigue us, we seldom debate to find pragmatic answers to these queries. Examining the everydayness of Muslims in contemporary India, Hilal Ahmed offers an evocative story of politics and Islam in India, which goes beyond the given narratives of Muslim victimhood and Islamic separation.
In Other Rooms, Other Wonders
Moving from the elegant drawing rooms of Lahore to the mud villages of rural Multan, a powerful collection of short stories about feudal Pakistan. An impoverished young woman becomes a wealthy relative’s mistress; an electrician on the make confronts his desperate assailant to protect his most prized possession; a farm manager rises far in the world—but his family discovers after his death the transience of power; a maid, who advances herself through sexual favours, unexpectedly falls in love. In these linked stories about the family and household staff of the ageing KK Harouni, we meet masters and servants, landlords and supplicants, politicians and electricians, village women, and Karachi housewives. Part Chekhov, part RK Narayan, these stories are dark and light, complex and humane; at heart about the relationship between the powerful and powerless, bound together in life—and in death. Together they make up a vivid portrait of a feudal world rarely brought alive in the English language. Sensuous, graceful, melancholy, In Other Rooms, Other Wonders gives you Pakistan as you have never seen it. It marks the debut of an amazing new talent.
