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Alice Guy BlachT (1873-1968), the world's first woman filmmaker, was one of the key figures in the development of narrative film. From 1896 to 1920 she directed 400 films (including over 100 synchronized sound films), produced hundreds more, and was the first--and so far the only--woman to own and run her own studio plant (The Solax Studio in Fort Lee, NJ, 1910-1914). However, her role in film history was completely forgotten until her own memoirs were published in 1976. This new book tells her life story and fills in many gaps left by the memoirs. Guy BlachT's life and career mirrored momentous changes in the film industry, and the long time-span and sheer volume of her output makes her films a fertile territory for the application of new theories of cinema history, the development of film narrative, and feminist film theory. The book provides a close analysis of the one hundred Guy BlachT films that survive, and in the process rewrites early cinema history.
A 1997 bibliography of American fiction from 1901-1925.
The book illuminates the legal and business history of the American theatre through new archival discoveries.
This study affords an entirely new view of the nature of modern popular entertainment. American vaudeville is here regarded as the carefully elaborated ritual serving the different and paradoxical myth of the new urban folk. It demonstrates that the compulsive myth-making faculty in man is not limited to primitive ethnic groups or to serious art, that vaudeville cannot be dismissed as meaningless and irrelevant simply because it fits neither the criteria of formal criticsm or the familiar patterns of anthropological study. Using the methods for criticism developed by Susanne K. Langer and others, the author evaluates American vaudeville as a symbolic manifestation of basic values shared by t...
The fascinating memoir of influential French filmmaker Alice Guy Blaché, one of the industry’s most significant pioneers and a trailblazer for female directors. Alice Guy Blaché (1873-1968) is a unique pioneer of the motion picture, being not only a female filmmaker but also one of the first, if not the first, to make a narrative film. Her career spanned from 1894, when she became secretary to the legendary Léon Gaumont, through 1920, working in both her native France and the United States. In all, she was responsible for approximately 1,000 films, possibly more than any other director or producer. The Memoirs of Alice Guy Blaché was first published in 1976, and to a large extent led t...