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Alice Guy Blaché
Alice Guy BlachT (1873-1968), the world's first woman filmmaker, was one of the key figures in the development of narrative film. From 1896 to 1920 she directed 400 films (including over 100 synchronized sound films), produced hundreds more, and was the first--and so far the only--woman to own and run her own studio plant (The Solax Studio in Fort Lee, NJ, 1910-1914). However, her role in film history was completely forgotten until her own memoirs were published in 1976. This new book tells her life story and fills in many gaps left by the memoirs. Guy BlachT's life and career mirrored momentous changes in the film industry, and the long time-span and sheer volume of her output makes her films a fertile territory for the application of new theories of cinema history, the development of film narrative, and feminist film theory. The book provides a close analysis of the one hundred Guy BlachT films that survive, and in the process rewrites early cinema history.
Alice Guy Blaché
Alice Guy BlachT (1873-1968), the world's first woman filmmaker, was one of the key figures in the development of narrative film. From 1896 to 1920 she directed 400 films (including over 100 synchronized sound films), produced hundreds more, and was the first--and so far the only--woman to own and run her own studio plant (The Solax Studio in Fort Lee, NJ, 1910-1914). However, her role in film history was completely forgotten until her own memoirs were published in 1976. This new book tells her life story and fills in many gaps left by the memoirs. Guy BlachT's life and career mirrored momentous changes in the film industry, and the long time-span and sheer volume of her output makes her films a fertile territory for the application of new theories of cinema history, the development of film narrative, and feminist film theory. The book provides a close analysis of the one hundred Guy BlachT films that survive, and in the process rewrites early cinema history.
Alice Guy Blaché
Alice Guy Blaché was the first woman to produce & direct motion pictures, first in Paris for Gaumont & later in the US, where she founded her own company. this volume celebrates her achievements as a pioneer of motion picture techniques & technologies.
The Films of Tim Burton
Most Tim Burton films are huge box-office successes, and several are already classics. The director's mysterious and eccentric public persona attracts a lot of attention, while the films themselves have been somewhat overlooked. Here, Alison McMahan redresses this imbalance through a close analysis of Burton's key films () and their industrial context. She argues that Burton has been a crucial figure behind many of the transformations taking place in horror, fantasy, and sci-fi films over the last two decades, and demonstrates how his own work draws on a huge range of artistic influences: the films of George Melies, surrealism, installation art, computer games, and many more. The Films of Tim Burton is the most in-depth analysis so far of the work of this unusual filmmaker - a director who has shown repeatedly that it is possible to reject mainstream Hollywood contentions while maintaining critical popularrity and commercial success.
Sisters-in-Arms
Women who put it all on the line when the shit hits the fan. Military, family, or thrown together by chance doesn’t matter. They join, they cooperate, and, when they run out of options, they fight. Tales from feudal Japan to modern day Angola. A slink through the Parisien woods and a strut along the Seattle streets. A Babylon that we never knew to a war-torn hell we should all fear. A baker’s dozen of stories about women owning their place in the world.
Scream and Scream Again!
A harrowing array of scary stories that all have one thing in common: each either begins or ends with a scream! R.L. Stine—the godfather of Goosebumps—and some of the most popular authors today bring an unrivaled mastery of all things fearsome, frightening, and fantabulous to this terrifying anthology of all-new scary short stories. Scream and Scream Again! is full of twists and turns, dark corners, and devilish revenge. Collected in conjunction with the Mystery Writers of America, this set includes works from New York Times bestselling authors telling tales of wicked ice-cream trucks, time-travelling heroes, witches and warlocks, and of course, haunted houses. Read it if you dare! With twenty never-before-published scary stories from some of the most popular authors today—including Chris Grabenstein, Wendy Corsi Staub, Heather Graham, Peter Lerangis, R.L. Stine, Bruce Hale, Emmy Laybourne, Steve Hockensmith, Lisa Morton, Ray Daniel, Beth Fantaskey, Phil Mathews, Carter Wilson, Doug Levin, Jeff Soloway, Joseph S. Walker, Alison McMahan, Daniel Palmer, Tonya Hurley, and Stephen Ross—it’s sure to leave readers screaming for more.
The Great Filling Station Holdup
Jimmy Buffett is one of the great contemporary singer/songwriters, and it’s hard to imagine a citizen of Planet Earth unfamiliar with such classic hits as “Margaritaville.” Jimmy has also written novels, children’s books, memoirs, and a stage musical based on Herman Wouk’s Don’t Stop the Carnival, and his family-friendly concerts almost always sell out to audiences comprised of a mix of dedicated Parrotheads, casual fans, and newbies. In The Great Filling Station Holdup, editor Josh Pachter presents sixteen short crime stories by sixteen popular and up-and-coming crime writers, each story based on a song from one of the twenty-nine studio albums Jimmy has released over the last h...
Performing Whiteness
2003 CHOICE Outstanding Academic Title Performing Whiteness crosses the boundaries of film study to explore images of the white body in relation to recent theoretical perspectives on whiteness. Drawing on such diverse critical methodologies as postcolonial studies, feminist film criticism, anthropology, and phenomenology, Gwendolyn Audrey Foster examines a wide variety of films from early cinema to the present day in order to explore the ways in which American cinema imposes whiteness as a cultural norm, even as it exposes its inherent instability. In discussions that range from The Philadelphia Story to Attack of the 50 Foot Woman, Foster shows that, though American cinema is an all-white construct, there exists the possibility of a healthy resistance to cultural norms of race, gender, sexuality, and class.
Fatally Haunted
Haunted. This word lurks within our deepest emotions. It’s a fear we can’t let go of, or that won’t let go of us. It’s a place we dream of going, or a place we can never leave. An LAPD detective is haunted by the case she never solved. A Century City financial advisor is haunted by the greed he cannot escape. A bridge is haunted by ghosts of despair. In a city of 10 million people, the haunted could be the man waiting to cross the street, or the memory that keeps you awake at night. Fatally Haunted, a Sisters in Crime/Los Angeles anthology, includes original stories by Julie G. Beers, Julia Bricklin, Roger Cannon, Tony Chiarchiaro, Lisa Ciarfella, Cyndra Gernet, B. J. Graf, Mark Hague, A. P. Jamison, Micheal Kelly, Alison McMahan, Peter Sexton, Gobind Tanaka, and Jennifer Younger.
Befriending Death
It's not easy to speak about death in our culture. As children of revolution, we think of our country as young, energetic, and future oriented. Our ideals of progress and vigor seem contradicted by the concept of death. But the silence about death in America is a lost opportunity for people to find insight and support in walking "that lonesome valley." In Befriending Death, over 100 writers respond, in one page each, to one question: In the face of death, how do you find meaning and fulfillment in life? Penned from people from a variety of backgrounds, the essays take death seriously and openly and discuss how the authors find meaning in life. This chance for a rare sharing of views on a tru...
