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The Irish Revival
The Irish Revival has inspired a richly diverse and illuminating body of scholarship that has enlarged our understanding of the movement and its influence. The general tenor of recent scholarly work has involved an emphasis on inclusion and addition, exploring previously neglected texts, authors, regional variations, and international connections. Such work, while often excellent, tends to see various revivalist figures and projects as part of a unified endeavor, such as political resistance or self-help. In contrast, The Irish Revival: A Complex Vision seeks to reimagine the field by interpreting the Revival through the concept of “complexity,” a theory recently developed in the informa...
Irish Nationalists and the Making of the Irish Race
This is a book about Irish nationalism and how Irish nationalists developed their own conception of the Irish race. Bruce Nelson begins with an exploration of the discourse of race--from the nineteenth--century belief that "race is everything" to the more recent argument that there are no races. He focuses on how English observers constructed the "native" and Catholic Irish as uncivilized and savage, and on the racialization of the Irish in the nineteenth century, especially in Britain and the United States, where Irish immigrants were often portrayed in terms that had been applied mainly to enslaved Africans and their descendants. Most of the book focuses on how the Irish created their own ...
Broken Irelands
While the national narrative coming out of Ireland since the 2008 economic crisis has been relentlessly sanguine, fiction has offered a more nuanced perspective from both well-established and emerging authors. In Broken Irelands, McGlynn examines Irish fiction of the post-crash era, addressing the proliferation of writing that downplays realistic and grammatical coherence. Noting that these traits have the effect of diminishing human agency, blurring questions of responsibility, and emphasizing emotion over rationality, McGlynn argues that they reflect and respond to social and economic conditions during the global economic crisis and its aftermath of recession, austerity, and precarity. Rat...
Memory Ireland
In the fourth and final volume of the Memory Ireland series, Frawley and O’Callaghan explore the manifestations and values of cultural memory in Joyce’s Ireland, both real and imagined. An exemplary author to consider in relation to questions of how history is remembered and recycled, Joyce creates characters who confront particularly the fraught relationship between the individual and the historical past; between the crisis of colonial history and the colonized state; and between the individual’s memory of his or her own past and the past of the broader culture. The collection includes leading Joyce scholars—Vincent Cheng, Anne Fogarty, Luke Gibbons, and Declan Kiberd—and considers such topics as Jewish memory in Ulysses, history and memory in Finnegans Wake, and Joyce and the Bible.
Women Wanderers and the Writing of Mobility, 1784-1814
A history of the writing of mobility in the Romantic period, through the work of major women writers.
Ohio's Infirmary Buildings
Ohio's Infirmary Buildings uses historic and documentary photography as a tool to examine the structures once used to house Ohio's poor. Ohio became a state in 1803, and it took 48 years to establish all 88 counties. On February 26, 1816, the Ohio General Assembly officially authorized boards of county commissioners to obtain farms that included housing for paupers (or the poor), and by 1874, each county in Ohio had what was originally called the poor farm. The former Wood County Infirmary story serves as an example of how superintendents and matrons managed people in need before modern programs helped designate specialized care. Collaboration with all 88 counties across the state of Ohio shows a unified story of public charity and highlights the importance of historic preservation. As early as 1937, Ohio counties began tearing down infirmaries, leaving behind few photographic records and institutional documentation.
The Last Anglo-Jewish Gentleman
Redcliffe Salaman (1874–1955) was an English Jew of many facets: a country gentleman, a physician, a biologist who pioneered the breeding of blight-free strains of potatoes, a Jewish nationalist, and a race scientist. A well-known figure in his own time, The Last Anglo-Jewish Gentleman restores him to his place in the history of British science and the British Jewish community. Redcliffe Salaman was also a leading figure in the Anglo-Jewish community in the 20th century. At the same time, he was also an incisive critic of the changing character of that community. His groundbreaking book, The History and Social Influence of the Potato, first published in 1949 and in print ever since, is a classic in social history. His wife Nina was a feminist, poet, essayist, and translator of medieval Hebrew poetry. She was the first (and to this day, only) woman to deliver a sermon in an Orthodox synagogue in Britain. The Last-Anglo Jewish Gentleman offers a compelling biography of a unique individual. It also provides insights into the life of English Jews during the late-19th and early-20th centuries and brings to light largely unknown controversies and tensions in Jewish life.
The Irish Art of Controversy
Controversies are high drama: in them people speak lines as colorful and passionate as any recited on stage. In the years before the 1916 Rising, public battles were fought in Ireland over French paintings, a maverick priest, Dublin slum children, and theatrical censorship. Controversy was "popular," wrote George Moore, especially "when accompanied with the breaking of chairs."In her new book, Lucy McDiarmid offers a witty and illuminating account of these and other controversies, antagonistic exchanges with no single or no obvious high ground. They merit attention, in her view, not because the Irish are more combative than other peoples, but because controversies functioned centrally in the...
The Ordnance Survey and Modern Irish Literature
The Ordnance Survey and Modern Irish Literature offers a fresh new look at the origins of literary modernism in Ireland, tracing a history of Irish writing through James Clarence Mangan, J.M. Synge, W.B. Yeats, James Joyce, and Samuel Beckett. Beginning with the archives of the Ordnance Survey, which mapped Ireland between 1824 and 1846, the book argues that one of the sources of Irish modernism lies in the attempt by the Survey to produce a comprehensive archive of a land emerging rapidly into modernity. The Ordnance Survey instituted a practice of depicting the country as modern, fragmented, alienated, and troubled, both diagnosing and representing a landscape burdened with the paradoxes o...
Irish Culture and “The People”
This book argues that populism has been a shaping force in Irish literary culture. Populist moments and movements have compelled authors to reject established forms and invent new ones. Sometimes, as in the middle period of W.B. Yeats's work, populism forces a writer into impossible stances, spurring ever greater rhetorical and poetic creativity. At other times, as in the critiques of Anna Parnell or Myles na gCopaleen, authors penetrate the rhetoric fog of populist discourse and expose the hollowness of its claims. Yet in both politics and culture, populism can be a generative force. Daniel O'Connell, and later the Land League, utilized populist discourse to advance Irish political freedom and expand rights. The most powerful works of Lady Gregory and Ernie O'Malley are their portraits of The People that borrows from the populist vocabulary. While we must be critical of populist discourse, we dismiss it at our loss. This study synthesizes existing scholarship on populism to explore how Irish texts have evoked "The People"—a crucial rhetorical move for populist discourse—and how some writers have critiqued, adopted, and adapted the languages of Irish populisms.
