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A Country for Dying
An exquisite novel of North Africans in Paris by "one of the most original and necessary voices in world literature" WINNER OF THE 2021 PEN TRANSLATION PRIZE Paris, Summer 2010. Zahira is 40 years old, Moroccan, a prostitute, traumatized by her father's suicide decades prior, and in love with a man who no longer loves her. Zannouba, Zahira's friend and protege, formerly known as Aziz, prepares for gender confirmation surgery and reflects on the reoccuring trauma of loss, including the loss of her pre-transition male persona. Mojtaba is a gay Iranian revolutionary who, having fled to Paris, seeks refuge with Zahira for the month of Ramadan. Meanwhile, Allal, Zahira's first love back in Morocco, travels to Paris to find Zahira. Through swirling, perpendicular narratives, A Country for Dying follows the inner lives of emigrants as they contend with the space between their dreams and their realities, a schism of a postcolonial world where, as Taïa writes, "So many people find themselves in the same situation. It is our destiny: To pay with our bodies for other people's future."
An Arab Melancholia
An autobiographical portrait of a gay Arab man, living between cultures, seeking an identity through love and writing. I had to rediscover who I was. And that's why I left the apartment.... And there I was, right in the heart of the Arab world, a world that never tired of making the same mistakes over and over.... I had no more leniency when it came to the Arab world... None for the Arabs and none for myself. I suddenly saw things with merciless lucidity.... —An Arab Melancholia Salé, near Rabat. The mid 1980s. A lower-class teenager is running until he's out of breath. He's running after his dream, his dream to become a movie director. He's running after the Egyptian movie star, Souad Ho...
The Salvation Army
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Infidels
Set in Salé, Morocco—the hometown Abdellah Taïa fled but to which he returns again and again in his acclaimed fiction and films—Infidels follows the life of Jallal, the son of a prostitute witch doctor—"a woman who knew men, humanity, better than anyone. In sex. Beyond sex." As a ten-year-old sidekick to his mother, Jallal spits in the face of her enemies both real and imagined. The cast of characters that rush into their lives are unforgettable for their dreams of love and belonging that unravel in turn. Built as a series of monologues that are emotionally relentless—a mix of confession, heart's murmuring, and shouting match—the book follows Jallal out of boyhood on the path to Jihad. It's a path that surprises even him.
Another Morocco
Tales of life in North Africa that flirt with strategies of revelation and concealment, by the first openly gay writer to be published in Morocco. Tangier is a possessed city, haunted by spirits of different faiths. When we have literature in our blood, in our souls, it's impossible not to be visited by them. —from Another Morocco In 2006, Abdellah Taïa returned to his native Morocco to promote the Moroccan release of his second book, Le rouge du tarbouche (The Red of the Fez). During this book tour, he was interviewed by a reporter for the French-Arab journal Tel Quel, who was intrigued by the themes of homosexuality she saw in his writing. Taïa, who had not publically come out and fear...
Abdellah Taïa’s Queer Migrations
In this first edited collection in English on Abdellah Taïa, Denis M. Provencher and Siham Bouamer frame the distinctiveness of the Moroccan author’s migration by considering current scholarship in French and Francophone studies, post-colonial studies, affect theory, queer theory, and language and sexuality. In contrast to critics that consider Taïa to immigrate and integrate successfully to France as a writer and intellectual, Provencher and Bouamer argue that the author’s writing is replete with elements of constant migration, “comings and goings,” cruel optimism, flexible accumulation of language over borders, transnational filiations, and new forms of belonging and memory making across time and space. At the same time, his constantly evolving identity emerges in many non-places, defined as liminal and border narrative spaces where unexpected and transgressive new forms of belonging emerge without completely shedding shame, mourning, or melancholy.
Writing Queer Identities in Morocco
This book explores queer identity in Morocco through the work of author and LGBT activist Abdellah Taïa, who defied the country's anti-homosexuality laws by publicly coming out in 2006. Engaging postcolonial, queer and literary theory, Tina Dransfeldt Christensen examines Taïa's art and activism in the context of the wider debates around sexuality in Morocco. Placing key novels such as Salvation Army and Infidels in dialogue with Moroccan writers including Driss Chraïbi and Abdelkebir Khatibi, she shows how Taïa draws upon a long tradition of politically committed art in Morocco to subvert traditional notions of heteronormativity. By giving space to silenced or otherwise marginalised voices, she shows how his writings offer a powerful critique of discourses of class, authenticity, culture and nationality in Morocco and North Africa.
Salvation Army
An autobiographical coming-of-age novel by the the “only gay man” in Morocco. An autobiographical novel by turn naïve and cunning, funny and moving, this most recent work by Moroccan expatriate Abdellah Taïa is a major addition to the new French literature emerging from the North African Arabic diaspora. Salvation Army is a coming-of-age novel that tells the story of Taïa's life with complete disclosure—from a childhood bound by family order and latent (homo)sexual tensions in the poor city of Salé, through an adolescence in Tangier charged by the young writer's attraction to his eldest brother, to a disappointing arrival in the Western world to study in Geneva in adulthood. In so ...
Queer Maghrebi French
Queer Maghrebi French investigates the lives and stories of queer Maghrebi and Maghrebi French men who moved to or grew up in contemporary France and how these queer men living in France and the diaspora stake claims to time and space, construct kinship, and imagine their own future.
Queer Retrosexualities
Queer Retrosexualities: The Politics of ReparativeReturn examines the retrospective logic that informs contemporary queer thinking; specifically the narrative return to the 1950s in post-1990s queer and LGBT culture in the United States. The term “Queer Retrosexuality” marks the intersection between retrospective thinking and queerness—to illustrate not only how to “queer” retrospection, but also how retrospection, in some senses can be thought of as always already queer. This book examines the historical possibilities that inform the narrative return to the 1950s in queer cultural and literary productions such as Samuel Delany’s The Motion of Light in Water, Todd Haynes’s Far ...
