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Sai Sathya Sakha
"This is the touching story of a poor Muslim boy, who lost his father when he was two years old. He and his mother were in the clutches of poverty. This affected his upbringing. The neighbours sent him to school mainly to protect their children. In order to pay the school fees, he had to work till midnight in a nearby cinema theatre and this led him into bad ways. However, because of his extraordinary memory, he could secure first rank till the tenth standard. His proficiency in Sanskrit helped him get the much needed financial scholarship and eventually, he became an honours graduate, completed the L.L.B. and L.L.M. examinations with merit, and became a professor. His thirst to become virtu...
The Sword of Truth
Ignorance So Fundamental And So Deep Can Be Destroyed Only By The Sword Of Truth.
Sai Baba
This account relates some of the achievements of Satya Sai Baba. His followers believe him to be the reincarntion of Sai Baba of Shirdi who died in 1918. He appears to have been born with phenomenal powers, which he used in childhood and has employed constantly and openly ever since. The author, a westener devoted to science and logic, spent many months with Satya Sai Baba to substantiate these miracles.
Loving God
Life history of the author, especially for the period which he spent with Sathya Sai Baba, b. 1926, Hindu spiritual leader.
Collected Plays
The tale of a mythic king’s aggression against his offspring, and his desperation to escape the curse of old age laid upon him in the prime of life. The anxieties that torment a middle-class family as their daughter awaits the arrival of the ‘suitable boy’ from abroad whom she has never met. The morphing of the city of Bangalore, whose founding myth celebrates its human ambience, into India’s ‘Silicon Valley’ where strangers are thrown together, get entangled, and are violently pulled apart. In the plays of Girish Karnad, one of our fi nest playwrights, time, family, love, and sexual aggression resound from the mythic past into the contemporary megalopolis. The three plays collected in this volume not only span Karnad’s creative graph from his first play, Yayati, to his most recent, Boiled Beans on Toast, but also chart out the themes that have disturbed and shaped Indian drama since Independence. The volume includes an extensive introduction by theatre scholar Aparna Bhargava Dharwadker, which analyses Karnad’s work in the context of modern Indian drama.
Wedding Album
Wedding Album, the latest play written by renowned playwright Girish Karnad, is a hilarious and moving spectacle on the India that we live in today. By presenting the seemingly paradoxical situation of a 'traditional' marriage in a 'modern' Indian, middle-class family, Karnad reveals how particular notions of wealth, well-being, sexual propriety, tradition, and modernity form the basis of middle-class society in contemporary India.
Yayati
Yayati, Girish Karnard's first play, was written in 1960 and won the Mysore State Award in 1962. It is based on an episode in the Mahabharata, where Yayati, one of the ancestors of the Pandavas, is given the curse of premature old age by his father-in-law, Shukracharya, who is incensed by Yayati's infidelity. Yayati could redeem this curse only if someone was willing to exchange his youth with him. It is his son, Pooru, who finally offers to do this for his father. The play examines the moment of crisis that Pooru's decision sparks, and the dilemma it presents for Yayati, Pooru, and Pooru's young wife.
