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Cinema and Secularism is the first collection to make the relationship between cinema and secularism thematic, utilizing a number of different methodological approaches to examine their identification and differentiation across film theory, film aesthetics, film history, and throughout global cinema. The emergence of moving images and the history of cinema historically coincide with the emergence of secularism as a concept and discourse. More than historically coinciding, however, cinema and secularism would seem to have-and many contemporary theorists and critics seem to assume-a more intrinsic, almost ontological connection to each other. While early film theorists and critics explicitly a...
The Mirage is an expression of His Excellency Dr. Jamal Sanad Al-Suwaidi’s perspective that the struggle in which many Arab and Muslim countries are currently engaged against extremist groups and organizations is not limited to the realm of military and security operations; it is also an extended war of an essentially intellectual nature that requires long-term planning, which is no less important – indeed, perhaps even more so – than planning in military and security terms. Academic scholarship plays a vital role in protecting the security of nations and societies via rigorous analysis of challenges and threats and the subsequent presentation of appropriate solutions. The role of scho...
This book encompasses a preliminary reading of Sheikh Abdullah’s autobiography i.e. Aatish-e-Chinar with the aim of unravelling the notion of the nation it embodies. The autobiography captures the trajectories of the Kashmiri nation and nationalism and values that define it and the tendencies it is opposed to. The imagination of being national by Abdullah involved a simultaneous process of exalting certain attributes as national and others as non-national while placing himself at the centre of this historic nationalistic project. Sheikh Abdullah’s autobiography stands out for its national character and faith in secularism and multiculturalism, overriding the prevalent orthodoxies. The study is also important because it draws us to the national politics that made Abdullah think in terms of remaining independent of both India and Pakistan, which has undergone a transformation and change over time– the transformation of Jammu and Kashmir from a ‘nation’ to a ‘sub-nation’ as an administrative entity.
This book constitutes the refereed proceedings of the Third International Conference on Advances in Visual Informatics, IVIC 2013, held in Selangor, Malaysia, in November 2013. The four keynotes and 69 papers presented were carefully reviewed and selected from various submissions. The papers focus on four tracks: computer visions and engineering; computer graphics and simulation; virtual and augmented reality; and visualization and social computing.
At a time when we have all lived through profound and unexpected disruptions to our shared spaces, routines, economies, societies, and work-lives, this book considers the nature and implications of rupture, the commons, and their conjoining. Addressing rupture and disruption through the lens of literary and cultural studies, this volume traverses genres — film, fiction, theatre, poetry, and the graphic novel — and continents, and addresses histories and identities as ecologies. The focus is resolutely contemporary, with nearly all of the texts being analyzed produced within the last decade. Beginning with the history of, and debates about, Garrett Hardin’s famous “tragedy of the commons,” Ruptured Commons engages with texts and cultures of disaster wherein artistic expression becomes a form of protest and a path to change. This collection both critically examines our arrival at and understanding of this moment, and explores diverse, and hopeful, visions for the future embedded within contemporary culture.
Ji Kurdên ku di mala wan de bi Kurdî nayê peyivîn re… Bi xatirê te zimano Bi xatirê te Zimanê şêrîn, Lorîka dayê, Sîreta pîrê, Çîroka kalê. Piştî hezar salan bi xatirê te. Mîrasa herî mezin a bav û kalan, Em hê sax bûn, Te li pêş me kirin talan