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Cinema and Secularism
Cinema and Secularism is the first collection to make the relationship between cinema and secularism thematic, utilizing a number of different methodological approaches to examine their identification and differentiation across film theory, film aesthetics, film history, and throughout global cinema. The emergence of moving images and the history of cinema historically coincide with the emergence of secularism as a concept and discourse. More than historically coinciding, however, cinema and secularism would seem to have-and many contemporary theorists and critics seem to assume-a more intrinsic, almost ontological connection to each other. While early film theorists and critics explicitly a...
Picnics at the Falls
Picnics at the Falls is the second in a series of new railway histories from Mark Cauchi and Michael Guiney combining serious railway research and relevant social and local history.
Seven Diamonds and a Monkey
On any given morning more than a dozen gun towers eerily protrude through the dense blanket of fog at the waters edge. Lurking beneath the fog is a hulking monstrosity of concrete and steel designed to house Californias most dangerous criminals. Like the sign upon entering Dantes Inferno: Abandon all hope ye who enter here, San Quentin State Prison is a landscape of horror both harsh and stark. Its mere existence speaks in direct testimony to Californias urban decay. Originally constructed from the hull of a ship in 1852, San Quentin is Californias oldest state prison. It is nestled in the lush greenery of Marin County, just twelve miles north of San Francisco across the expanse of the histo...
Immanent Frames
Explores a growing number of films and filmmakers that challenge the strict boundaries between belief and unbelief. For some time now, thinkers across the humanities and social sciences have increasingly called into question the once-dominant view of the relationship between modernity and secularism, prompting some to speak of a postsecular turn. Until now, film studies has largely been silent about this development, even though cinema itself has been a major vehicle for such reflection. This fact became inescapable in 2011 when Terrence Malicks The Tree of Life and Lars von Triers Melancholia were released within days of each other. While these two audacious and controversial films ...
The Dardenne Brothers’ Cinematic Parables
The Dardenne Brothers’ Cinematic Parables examines the work of Belgian filmmakers Jean-Pierre and Luc Dardenne, who have been celebrated for their powerfully affecting social realist films. Though the Dardenne brothers’ films rarely mention religion or God, they have received wide recognition for their moral complexity and spiritual resonance. This book brings the Dardennes’ filmography into consideration with theological aesthetics, Christian ethics, phenomenological film theory, and continental philosophy. The author explores the brothers’ nine major films—beginning with The Promise (1996) and culminating in Young Ahmed (2019)—through the hermeneutics of philosopher Paul Ricoeu...
Resurrecting the Death of God
In 1966, an infamous Time magazine cover asked "Is God Dead?" and brought the ideas of theologians William Hamilton and Thomas J. J. Altizer to the wider public. In the years that followed, both men suffered professionally and there was no notable increase to the small number of thinkers considered death of God theologians. Meanwhile, Christian fundamentalism staged a striking comeback in the United States. Yet, death of God, or radical, theology has had an ongoing influence on contemporary theology and philosophy. Contributors to this book explore the origins, influence, and legacy of radical theology and go on to take it in new directions. In a time when fundamentalism is the greatest religious temptation, this volume makes the case for the necessity of resurrecting the death of God.
The Nordic Bible
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Culture in a Post-Secular Context
Is culture a theologically neutral concept? The contemporary experts on culture--anthropologists and sociologists--argue that it is. Theologians and missiologists would seem to agree, given the extent of their reliance on anthropological and sociological definitions of culture. Yet, this appears a strange reliance given that presumed neutrality in the sciences is a consistently challenged assumption. It is stranger still given that so much theological energy has been expended on understanding and defining the human person in specifically theological as opposed to anthropological terms when culture is in some sense the expression of this personhood in corporate and material forms. This book a...
Beyond the Secular
Through an in-depth, critical analysis of Jacques Derrida's later writings, Beyond the Secular examines the contemporary nexus between religion and politics. Reconnecting these writings to his early works, Andrea Cassatella explores distinctive topics that are thematically linked by the theological-political problematic and theoretically informed by Derrida's relational approach to language, time, religion and politics. The result is a critical investigation into under-examined assumptions of modern secular discourse that questions its binary logics and illuminates such discourse's exclusionary character by tracing its roots in racialized understandings about language, epistemology, politics and religion that travel worldwide through global processes of assimilatory translation. By exposing the discriminatory hierarchies that the Western-Christian, sexualized, and racialized presuppositions of secular discourse keep producing and maintaining, Cassatella ultimately sheds light on the deep entanglements of secularism with the legacy of race and colonialism.
The Phenomenology of Prayer
This collection of groundbreaking essays considers the many dimensions of prayer, and takes up the meaning of prayer from within a uniquely phenomenological point of view.
