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Journalism and Politics in Indonesia
This book weaves a history of the Indonesian press, and of Indonesia’s post-independence history, through the life story of Mochtar Lubis: one of Indonesia’s best-known newspaper editors, authors and cultural figures with a national, regional and international prominence he retained from the early 1950s until his death in 2004.
Hinduism in Modern Indonesia
This book provides new data and perspectives on the development of 'world religion' in post-colonial societies through an analysis of the development of 'Hinduism' in various parts of Indonesia from the early twentieth century to the present. This development has been largely driven by the religious and cultural policy of the Indonesian central government, although the process began during the colonial period as an indigenous response to the introduction of modernity.
Producing China in Southeast Asia
This book presents studies on Chinese intellectuals in Southeast Asia and how they understand China and Chineseness in the 21st century. It posits, through analyses of works and oral histories of a number of Chinese scholars in the region, that the dominant but distinctive approaches adopted by them are those that are rooted in humanism and pragmatism. In doing so, the book explores the significant population, local conditions and strategy of survival among the Southeast Asian Chinese as factors that influence their views and perspectives. Studies presented in the book simultaneously implicate subjectivity, where authors and their readers position themselves among ethnic, national, and civil...
Nation Building
The book addresses questions such as: how should historians treat the earlier pasts of each country and the nationalism that guided the nation-building tasks? Where did political culture come in, especially when dealing with modern challenges of class, secularism and ethnicity? What part do external or regional pressures play when the nations are still being built? The authors have thought deeply about the issues of writing nation-building histories and have tried to put them not only in the perspective of Southeast Asian developments of the past five decades, but also the larger areas of historiography today.
Batavia-Jakarta, 1600-2000
This is an odd book. An extensive and sometimes annotated bibliography, it is not a book in the sense of a narrative. However, if treated as a book in the traditional sense it leads the reader through a broad spectrum of feelings of amazement, curiosity and desire: amazement about the sheer volume, richness and detail of theliterature on Batavia/Jakarta; curiosity about the contents of certain publications or series of publications with attractive titles; and a feeling of desire immediately to begin an investigation into one of the appealing subjects stumbled upon while leafing through. The bibliography contains over 5000 titles classified into 42 broad subject categories. The vast majority of the publications consists of books, but the number of articles is also very substantial. Most of these titles (3500) were produced after 1950. The larger part of the publications are written in Indonesian, Dutch, and to a lesser extent English. But also publications in such languages as French, Chinese, German, Japanese, Russian, and many others were listed. Indexes of authors, of subjects and of titles make this bibliography easily accessible.
The Ethnic Chinese in the ASEAN States
The bibliographical essays on the studies of the ethnic Chinese in the ASEAN states will be extremely useful as it is the first monograph of its kind and also up-to-date. It begins with a general overview on the studies of the ethnic Chinese in the ASEAN states, and is followed by five country studies and two essays on specific topics. All essays in this volume were written by specialists.
Cephas, Yogyakarta
During the nineteenth century the art of photography in the Netherlands Indies, now Indonesia, was mainly in European hands. Gradually, members of other ethnic groups moved into the field. Among indigenous ethnic groups, the pioneer was the Javanese Kassian Cephas (1845-1912). From the early 1870s Kassian Cephas was photographer to the court of the Sultans of Yogyakarta. As such he was responsible for many portraits of the royal family, in particular during the reign of Sultan Hamengkubuwana VII. Besides portraits of the royal family, Kassian Cephas documented theatrical performances and ceremonies at court. Apart from a biography of Kassian Cephas and his son and successor Sem Cephas (1870-1918), this book offers a selection of 98 pictures of the exquisite work of these photographers, drawn mainly from the photographic collection of the Koninklijk Instituut voor Taal-, Land- en Volkenkunde (KITLV). This selection introduces the reader to a world of royal dignity, gracious dancers, shadowy town views, impressive temple ruins and the mysterious Indian Ocean coast.
Shadows of Empire
Shadows of Empire explores Javanese shadow theater as a staging area for negotiations between colonial power and indigenous traditions. Charting the shifting boundaries between myth and history in Javanese Mahabharata and Ramayana tales, Laurie J. Sears reveals what happens when these stories move from village performances and palace manuscripts into colonial texts and nationalist journals and, most recently, comic books and novels. Historical, anthropological, and literary in its method and insight, this work offers a dramatic reassessment of both Javanese literary/theatrical production and Dutch scholarship on Southeast Asia. Though Javanese shadow theater (wayang) has existed for hundreds...
