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Claret Serrahima
The four chapters in this book focus on different aspects of Serrahima's work, from his conceptual and strategic design to his more free and irreverent works; a compilation of excerpts from his career, work, obsessions and achievements that steals a glance at this hyperactive creator in his most active period with the studio Clase bcn. Taking the view-point of graphic artist and urban cultural activist, the graphic image becomes a narrative line that draws for us the designer, the communicator, the visual chronicler, vocational artist, the draughtsman photographer, the cultural activist--in short, the storyteller.
Office of Architecture in Barcelona
This book presents and analyses the career of architect Carlos Ferrater since the creation of his new studio calledÊOAB (Office of Architecture in Barcelona). With the arrival of young architects to the team, Êthe activity of OAB is not only deployed in the execution of construction projects, but how it is also complemented and enriched by going into depth in other fields such as teaching and academic research. OAB draws on the collaborative nature of Carlos FerraterÕs previous studio, incorporating new ways of understanding the contributions of each team member to generate richer, more varied, and flexible projects. Their most relevant projects are the Beach Promenade in Benidorm, the Mandarin Hotel, the Zaragoza-Delicias Station, House A and Roca Barcelona Gallery, among many others. Recent works and projects presented by means of extensive photoreportages, plans, drawings and QR codes which link the printed matter and the digital world.
Invisible Fields
With the invention of telecommunications technologies in the late nineteenth century, the radio-electric spectrum became a tool for rethinking the world in which we live. The emission of radio waves did away with physical distances, crossing borders and cultures and acting as a powerful catalyst for trade. Moreover, the radio spectrum is the invisible infrastructure on which our information and communication technologies have been built. The history of its scientific discovery and how it was gradually colonized by the media, the military complex, and activists and hackers is one of the most fascinating stories of the twentieth century. The future uses of the radio-electric spectrum in the twenty-first century and its new potential are being decided now, with the end of analogue TV broadcasting worldwide marking the most important transformation of uses in the radio-electric space in decades. This catalog sets out to examine these issues and shed a little light on the most intriguing stories about the radio-electric spectrum.
Living Systems
The works of Christa Sommerer (*Germany, 1964) and Laurent Mignonneau (*France, 1965) explore the relation between art, science and technology. Their projects have been branded as pioneering not only for their natural and intuitive development of diverse interactive interfaces, but also for the application of basic scientific principles from the fields of biology, artificial life, complexity science and nanotechnology. This book reviews their oeuvres and is a testament to the underlying scientific concepts. Sommerer and Mignonneau have shown in numerous exhibitions and are featured in digital art collections and museums around the world, including the ZKM in Karlsruhe, Germany, and the NTT-ICC InterCommunication Center in Tokyo, Japan. In 1994, they received one of the most pres- tigious media art awards, the Golden Nica from Ars Electronica. They currently lecture at the International Academy of Media Arts and Sciences in Japan and at the University of Arts and Industrial Design in Linz, Austria. The book includes texts by two professors of art and science, Suzanne Witzgall and Ricard Sole.
The Chinese Garden
With their centuries-long development, the English landscape garden, the formal French garden, as well Japanese and Chinese gardens constitute an unparalleled repository of design solutions familiar throughout the world. They are frequently drawn upon as reference works, but often in a piecemeal and haphazard fashion and from botanical or art-historical vantage points. That is where the books of this new series come in. They present the various garden types from the perspective of contemporary landscape and garden design. Starting from the formidable beauty of the world’s most distinguished gardens, they point the way toward the essential compositional principles, the plants most commonly ...
Between
Antoni Muntadas (*Barcelona, 1942) is one of the most important contemporary Spanish artists. His work addresses social, political and communications issues, the relationship between public and private space within social framework, and investigates channels of information and the ways they are used to promulgate ideas and control and censor information. Working in different media, such as photography, video, publications, Internet and multi-media installations, Muntadas often speaks about the condition of being "in between" as a point of departure for his work. This "between" can be characterized as a place of ambiguity outside specific sites or destinations. This two-volume publication is ...
New Urban Metabolism
"The iCUP (Institute for Contemporary Urban Project) is the institute, directed by ... Acebillo and coordinated by ... Enrico Sassi, within which this book has been produced and it is part of the Accademia di architettura, USI (Universita della Svizzera Italiana), Mendrisio"--Page 6.
iGuzzini: Barcelona Corporate Building
Light and architecture lie at the base of the iGuzzini Illuminazione strategy. During the day, a "natural" organic form creates high-quality and highly-ergonomic workplaces. At night, the building is transformed by artifical light into a glowing landmark in the landscape, a gigantic lantern. The project is the result of profound technological research, that runs parallel to the building?s use: an R&D centre for the development of technical knowledge and expertise in lighting systems. This publication collects all aspects of this building: from the competition phase to the opening ceremony every step is described: structure, sustainabilty aspects, skin, lighting... Exceptional photographs by Jordi Bernado and Adria Goula round up this volume.
Experiments with Life Itself
Every book relating the history of modern architecture features a large number of pages dedicated to avant-garde designs and the formation of the modern movement in the interwar years, and a similar number devoted to reconstruction and expansion after the Second World War. Meanwhile, as if owing to lack of understanding or convenient silence, there is void of dark years, of wars, exile and misfortune about which little can be said. However, it was in these dark times, as in so many other revealing moments in the history of culture, that experimental and profoundly invigorating experiences were taking place. Architects and artists voluntarily or forcibly driven to the margins of social importance began to react to a culturally unsustainable situation of which we know very little even today. In Experiments with Life Itself, Francisco Gonzalez de Canales studies a series of unrelated cases from the late 1930s to the late 1950s that he refers to as domestic self-experimentation.
Fuksas
The work of Massimiliano and Doriana Fuksas enjoys well-earned reputation for its artistic talent and its capacity to surprise with the most risky and spectacular projects. With offices in Rome, Paris and Shenzhen, the Fuksases have completed projects of contrasting scales and typologies: airports, theatrical scenographies, urban planning, large infrastructure, housing projects... Their most recent include the Shenzhen Airport in China, Palace of Congress in Rome, and Peres Peace House in Israel. The book also features their most emblematic creations like the Milan Trade Fair, Ferrari Research Centre in Maranello, and Armani boutique in New York. Interviews and several texts enhance the publication and help to round off the overview of this ultimate reference monograph of Fuksas' work.
