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Survival of the Fittest
This is catalogue that accompanies an exhibition of the same name. Survival of the Fittest features forty-five masterworks created by an influential group of painters known today as the Big Four. Working during the late 1800s and early 1900s, these artists presented a vision of wildlife and wilderness that remains with us to this day. Their careers also influenced generations of artists interested in painting wildlife in the twentieth century. Members of the Big Four include American Carl Rungius (born Germany, 1869-1959), Germans Richard Friese (1854-1918) and Wilhelm Kuhnert (1865-1926), as well as Swede Bruno Liljefors (1860-1939). The catalogue, edited by Adam Harris, includes essays by Adam Harris, Kathleen Chapman, Jessica Landau, Tammi Hanawalt, and Vance Martin. With a Forward by Harvey Locke and acknowledgements by Steve Seamons and Adam Harris.
George Catlin's American Buffalo
Re-examines Catlin's art and his vision of a "nation's park" to protect the buffalo and native American people
Wildlife in American Art
For more than two decades, the National Museum of Wildlife Art in Jackson, Wyoming, has honored and sustained the tradition of wildlife in American art by assembling the most comprehensive collection of paintings and sculptures portraying North American wildlife in the world. Wildlife in American Art presents for the first time a generous sampling of the museum's holdings, charts the history of this enduring theme in American art, and explores the evolving relationship between Americans and the natural resources of this continent.
Bob Kuhn
Bob Kuhn: Drawing on Instinct presents a generous sampling of his rarely seen sketches alongside the vibrant paintings for which he is best known. Appearing in conjunction with a traveling exhibit mounted by the National Museum of Wildlife Art, in Jackson, Wyoming, this book allows readers to observe the artistic process of one of the greatest wildlife artists of our time.
Bob Kuhn
“For those of us who portray wildlife . . . our decision to persist in our quest for excellence is almost always based on a love affair, a fascination with the creatures of our planet, and a need to share this feeling the best way we know how.” So said wildlife artist Robert Kuhn (1920–2007), who spent a lifetime sketching and painting animals, and generously mentoring other artists. Bob Kuhn: Drawing on Instinct presents a generous sampling of his rarely seen sketches alongside the vibrant paintings for which he is best known. Appearing in conjunction with a traveling exhibit mounted by the National Museum of Wildlife Art, in Jackson, Wyoming, this book allows readers to observe the a...
Rounded Up in Glory
Frank Reaugh (1860-1945; pronounced "Ray") was called "the Dean of Texas artists" for good reason. His pastels documented the wide-open spaces of the West as they were vanishing in the late nineteenth century, and his plein air techniques influenced generations of artists. His students include a "Who's Who" of twentieth-century Texas painters: Alexandre Hogue, Reveau Bassett, and Lucretia Coke, among others. He was an advocate of painting by observation, and encouraged his students to do the same by organizing legendary sketch trips to West Texas. Reaugh also earned the title of Renaissance man by inventing a portable easel that allowed him to paint in high winds, and developing a formula fo...
Wild Spaces, Open Seasons
Wild Spaces, Open Seasons traces the theme of hunting and fishing in American art from the early nineteenth century through World War II. Describing a remarkable group of American paintings and sculpture, the contributors reveal the pervasiveness of the subjects and the fascinating contexts from which they emerged. In one important example after another, the authors demonstrate that representations of hunting and fishing did more than illustrate subsistence activities or diverting pastimes. The portrayal of American hunters and fishers also spoke to American ambitions and priorities. In his introduction, noted outdoorsman and author Stephen J. Bodio surveys the book’s major artists, who ra...
The Other Black Girl
INSTANT NEW YORK TIMES BESTSELLER A Good Morning America, Esquire, and Read with Marie Claire Book Club Pick and a People Best Book of Summer Named a Most Anticipated Book of 2021 by Time, The Washington Post, Harper’s Bazaar, Entertainment Weekly, Marie Claire, Bustle, BuzzFeed, Parade, Goodreads, Fortune, and BBC Named a Best Book of 2021 by Time, The Washington Post, Esquire, Vogue, Entertainment Weekly, The Boston Globe, and NPR Urgent, propulsive, and sharp as a knife, The Other Black Girl is an electric debut about the tension that unfurls when two young Black women meet against the starkly white backdrop of New York City book publishing. Twenty-six-year-old editorial ass...
George Catlin's American Buffalo
American artist George Catlin (1796-1872) journeyed west five times in the 1830s, traversing the Great Plains and visiting more than 140 American Indian tribes. Convinced that westward expansion from settlers spelled certain disaster for native peoples, Catlin traveled the frontier to paint landscapes and portraits of native tribes, to document their lives and customs before (as he feared) they vanished. He produced hundred of canvases, which he called his Indian Gallery. Ambitious in scope, and filled with color and closely observed detail, the Indian Gallery remains one of the wonders of the nineteenth century. In many of his paintings, Catlin recorded the massive herds of buffalo that roa...
Book Parts
What would an anatomy of the book look like? There is the main text, of course, the file that the author proudly submits to their publisher. But around this, hemming it in on the page or enclosing it at the front and back of the book, there are dozens of other texts - page numbers and running heads, copyright statements and errata lists - each possessed of particular conventions, each with their own lively histories. To consider these paratexts - recalling them from the margins, letting them take centre stage - is to be reminded that no book is the sole work of the author whose name appears on the cover; rather, every book is the sum of a series of collaborations. It is to be reminded, also,...
