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Literary Cold War, 1945 to Vietnam
This is a ground-breaking study of the psychological and cultural impact of the Cold War on the imaginations of citizens in the UK and US. The Literary Cold War examines writers working at the hazy borders between aesthetic project and political allegory, with specific attention being paid to Vladimir Nabokov and Graham Greene as Cold War writers. The book looks at the special relationship as a form of paranoid plotline governing key Anglo-American texts from Storm Jameson to Sylvia Plath and Ted Hughes, as well as examining the figure of the non-aligned neutral observer caught up in the sacrificial triangles structuring cold war fantasy. The book aims to consolidate and define a new emergent field in literary studies, the literary Cold War, following the lead of prominent historians of the period.
Edinburgh Companion to Twentieth-Century British and American War Literature
The first reference to literary and cultural representations of war in 20th-century English & US literature and film.Covering the two World Wars, the Spanish Civil War, the Cold War, the Vietnam War, the Troubles in Northern Ireland and the War on Terror, this Companion reveals the influence of modern wars on the imagination.These newly researched and innovative essays connect ’high’ literary studies to the engagement of film and theatre with warfare, extensively covers the literary and cultural evaluation of the technologies of war and open the literary field to genre fiction.Divided into 5 sections: 20th-Century Wars and Their Literatures; Bodies, Behaviours, Cultures; The Cultural Imp...
W.S. Graham
Graham’s work was published by T. S. Eliot in the 1940s and 50s, but as a major post-war poet, his work has received astonishingly little critical attention given its prestige and influence. This collection of essays covers all aspects of Graham’s work – its critical reception, recent influence and its relations with other developments in the arts, in particular the work of the St Ives School of visual artists. It includes some biographical material (brief reminiscences by and interviews with those who knew him) and discussions of the material contained in several collections of manuscripts. Nothing so far published has paid attention to these manuscript collections or to the large number of uncollected poems published since his death. Neither has enough been written about Graham’s importance to poets of the 1980s and 1990s. "The ten essays in this book are all extremely competent studies of Graham’s work [...] constantly aware of the subtleties of Graham’s very individual attitudes to his art. The book will make an excellent companion for many readers and students."—PNReview
Imagination at War
Analyses the fiction and poetry produced between 1939 and 1945 that has shaped postwar thinking.
Beckett in the 1990s
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The Cambridge History of Twentieth-Century English Literature
Publisher Description
Remembering and the Sound of Words
In this book Adam Piette establishes fascinating new links between sound effects and the representation of memory in literary texts. He sets out a workable taxonomy of sound-repetitions in prose and formulates, through a theory of alerting-devices, the ways in which the reader's attention is drawn to the acoustic surface of the text. Piette scrutinizes Mallarm 's prose-poetry, Proust's musical syntax, Joyce's memory-rhymes (from the Portrait of the Artist through Ulysses to Finnegans Wake), and Beckett's prose and drama, demonstrating that sound effects act as intricate reminders of memory-traces in the text. Despite how widely the four writers diverge in their representations of memory, Piette shows that the use of this memory-rhyme technique is common to them all.
The Salt Companion to Peter Robinson
This is a collection of essays about the contemporary Liverpool poet, Peter Robinson. His poetry is subtle and moving about domestic scenes of intense feeling, and shows how one might get through difficult experiences including the rape of a loved one, a brain tumour operation, the condition of exile in Italy and Japan, the perils of raising children. The essays aim to help ordinary readers and students gain insight into Robinson's subtle, astonishing poems.
The Edinburgh Companion to Twentieth-century British and American War Literature
The first reference to literary and cultural representations of war in 20th-century English & US literature and film. Coving the two World Wars, the Spanish Civil War, the Cold War, the Vietnam War, the Troubles in Northern Ireland and the War on Terror, this Companion reveals the influence of modern wars on the imagination. These newly researched and innovative essays connect 'high' literary studies to the engagement of film and theatre with warfare, extensively cover the literary and cultural evaluation of the technologies of war and open the literary field to genre fiction. Divided into 5 sections:. 20th-Century Wars and Their Literatures Bodies, Behaviours, Cultures The Cultural Impact of the Technologies of Modern War The Spaces of Modern War Genres of War Culture Key Features. All-new original essays commissioned from major critics and cultural historians Reflects the way war studies are currently being taught and researched: in the volume's approach, structure and breadth of coverage For scholars: core arguments and detailed research topics For students: Historically grounded topic- and genre-based essays, useful forstudying the modern period and war modules
Forms of Late Modernist Lyric
What do we mean when call something a lyric poem? How many kinds of lyric are there? Are there fewer now than there were in 1920 or 1820 or 1620? The purpose of Forms of Late Modernist Lyric is to show that our oldest styles of poetic articulation – the elegy, the ode, the hymn – have figured all too briefly in modern genealogies of lyric, and that they have proved especially seductive, curiously enough, to avant-garde practitioners in the Anglophone tradition. The poets in question – Jorie Graham, Frank O’Hara, Michael Haslam, J. H. Prynne, Claudia Rankine, and others – have thickened the texture of lyric practice at a time when the growing tendency in critical circles has been to...
