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"Kelly's identification of a nineteenth-century B. C. ceramic complex has far-reaching implications for the archaeology of western Mexico and its relationship with central Mexico and South America. . . . A well-illustrated monograph that covers much more than the title promises."—The Masterkey
Between 1836 and 1861, Mexico’s difficulties as a sovereign state became fully exposed. Its example provides a case study for all similarly emerging independent states that have broken away from long-standing imperial systems. The leaders of the Republic in Mexico envisaged the construction of a nation, in a process that often conflicted with ethnic, religious, and local loyalties. The question of popular participation always remained outstanding, and this book examines regional and local movements as the other side of the coin to capital city issues and aspirations. Formerly an outstanding Spanish colony on the North American sub-continent, financial difficulties, economic recession, and political divisions made the new Republic vulnerable to spoliation. This began with the loss of Texas in 1836, the acquisition of the Far North by the United States in 1846–8, and the European debt-collecting Intervention in 1861. This study examines the Mexican responses to these setbacks, culminating in the Liberal Reform Movement from 1855 and the opposition to it.
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Based on recent archaeological surveys and excavations, the chapters in this volume provide current, comprehensive, area-by-area summaries of the region's Precolumbian past. Research in the last two decades has indicated that the evolution and adaptations of the indigenous cultures of the region parallel those found elsewhere in Mesoamerica, from the simple Formative groups to the complex states of the North. The topics discussed in the book--areal and cultural syntheses and specific problems such as chronology, social organization, and economic systems--present much new information crucial to the understanding of cultural variations in Mesoamerica.
This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only...
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