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Prison Notebooks
Based on the authoritative Italian edition of Gramsci's work, 'Quaderni del Carcere', this translation presents the intellectual as he ought to be read and understood.
Diva
"Animated by a luminous goddess at its center, the diva film provided a forum for denouncing social evils and exploring new models of behavior among the sexes...Dalle Vacche offers the first authoritative study of this important film genre of the cinema that preceded the First World War...Contrasting the Italian diva with the Hollywood vamp Theda Bara and the famous Danish star Asta Nielsen, Dalle Vacche shows how the diva oscillates between articulating Henri Bergson's vibrant life-force and representing the suffering figure of the Catholic mater dolorosa." -- Cover.
Plays, Movies, and Critics
This exceptional collection explores the mutual concerns of dramatic theater, film, and those who comment on them. Plays, Movies, and Critics opens with an original play by Don DeLillo. In the form of an interview, DeLillo's short play works as a kind of paradigm of the theatrical or cinematic event and serves as a keynote for the volume. DeLillo's interview play is accompanied in this collection by interviews with theater director Roberta Levitow, Martin Scorsese, and film/theater critic Stanley Kauffmann. Other contributions include a critical look at the current American theater scene, analyses of the place of politics in the careers of G. B. Shaw and Luigi Pirandello, a compelling readin...
Transforming Our Human Forms Into Christ's
Are you puzzled by the nature and system of Aidan Nichols's theological contribution? Are you looking for a way to renew your appreciation for Nichols's theological activity? Do you want to clarify your understanding of Nichols's anthropological view? Father Engoulou Paul discusses these and many others interesting matters in this book. He carefully analyzes the different layers on which Nichols posits his philosophical and theological principles of order. He explains historically each foundational step from which Nichols draws his public doctrine of man and God. He arrives at the conclusion that man arrives at a self-knowledge and the knowledge of God, to the extent that he makes use of practical, liturgical, and rational concepts and forms embedded in Philosophy, theology, and visual art. Designed to be primarily a scholarly treatment of God's evidences into personal, communal nature of man, and the meaning of his life-work, this book is also a critical treatment of secularism and its attendants: liberalism, relativism and positivism.
Plays
Luigi Pirandello is best known for his ability to create farcical tragedies that pit reality against appearance in such a way that objective truth is never revealed. Time magazine called Pirandello's work a fascinating precursor of the entire theater of the absurd -- the anguish over existence in Sartre and Camus, the guerilla warfare against ossified language and the mass mind in Ionesco, the bleak, alienated vision of Beckett, the sense of man eternally acting a role in Genet, and the use of the stage as a self-contained universe in Pinter. In new translations by acclaimed playwright and translator Eric Bentley, these versions of four of Pirandello's most celebrated plays -- Six Characters in Search of an Author, Emperor Henry, The Man with the Flower in His Mouth, and Right You Are -- are considered to be the standards for American productions. They capture the playwright's unique voice with remarkable precision, while at the same time attending to the rigors of the American stage.
Luigi Pirandello in the Theatre
First Published in 1993. Contemporary Theatre Studies is a book series of special interest to everyone involved in theatre. This collection of documents is the first attempt in English to bring together a body of material on Luigi Pirandello as multi-faceted man of the theatre. Because relatively few of his works have been easily available to English language readers, he is thought of most frequently as a playwright, the author of Six Characters in Search of an Author and Henry IV in particular, and his contribution to theatre, both in theory and in practice, has tended to be overlooked. Emphasising his role as a director, the book traces the rise and fall of his own theatre company, the Teatro d’Arte where he struggled to instil new practices and comments on Pirandello’s attempts during the years of Fascism to give Italy a national theatre in a European context.
Aesthetic Modernism and Masculinity in Fascist Italy
Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Champagne seeks to evaluate how the aesthetic analysis of the artifacts explored offer a more sophisticated and nuanced understanding of what world politics is, what is at stake when something - like masculinity - is rendered as being an element of world politics, and how such an understanding differs from more orthodox 'cultural' analyses common to international relations.
Three Plays
Pirandello is a seminal figure in modern drama. This is the only one-volume edition of his two most famous plays, Six Characters in Search of an Author and Henry IV, and his last unfinished masterpiece The Mountain Giants, in lively and performable new translations that remain faithful to the letter and spirit of the originals.
The Path of Cinnabar
Julius Evola was a renowned Dadaist artist, Idealist philosopher, critic of politics and Fascism, 'mystic, ' anti-modernist, and scholar of world religions. Evola was all of these things, but he saw each of them as no more than stops along the path to life's true goal: the realisation of oneself as a truly absolute and free individual living one's life in accordance with the eternal doctrines of the Primordial Tradition. Much more than an autobiography, The Cinnabar Path in describing the course of Evola's life illuminates how the traditionally-oriented individual might avoid the many pitfalls awaiting him in the modern world. More a record of Evola's thought process than a recitation of biographical facts, one will here find the distilled essence of a lifetime spent in pursuit of wisdom, in what is surely one of his most important works.
From Self-fulfilment to Survival of the Fittest
Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, DušanMakavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others.
