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Roma Aeterna
Excerpt from Roma Aeterna: Latin Readings in The History Of The City It assumes that the reader is fairly familiar with such Latin words as are contained in the General Vocabulary. Words not contained in the General Vocabulary are, as they occur, translated at the foot of the page, and will also be found in the Special Vocabulary. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A Companion to Roma Aeterna
A sequel to her widely used A Companion to Familia Romana (now in its second edition), Jeanne Marie Neumann's A Companion to Roma Aeterna offers a running commentary, in English, of the Latin grammar covered in Hans H. Ørberg's Roma Aeterna, and includes the complete text of the Ørberg ancillaries Grammatica Latina and Latin–English Vocabulary II. It also serves as a substitute for Ørberg’s Instructions, on which it is based. Though designed especially for those approaching Roma Aeterna at an accelerated pace, this volume will be useful to anyone seeking an explicit exposition of that volume's implicitly presented grammar. In addition to many revisions of the text, A Companion to Roma Aeterna also includes new units on cultural context, tied to the narrative content of the chapter.
Roma Aeterna
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Antiquitas Aeterna
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The Consolation of Philosophy
To pleasant songs my work was erstwhile given, and bright were all my labours then; but now in tears to sad refrains am I compelled to turn. Thus my maimed Muses guide my pen, and gloomy songs make no feigned tears bedew my face. Then could no fear so overcome to leave me companionless upon my way. They were the pride of my earlier bright-lived days: in my later gloomy days they are the comfort of my fate; for hastened by unhappiness has age come upon me without warning, and grief hath set within me the old age of her gloom. White hairs are scattered untimely on my head, and the skin hangs loosely from my worn-out limbs. Aeterna Press
Roma Aeterna
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The Four Foundations of Sanctity
I urge you at least to have enough courage and resolution to make a clean break with the standards, sentiments and inclinations of the world, and to despise all its empty speeches and deceptive opinions, just as the world makes a show of impious temerity in despising the laws and maxims of Christianity. It is in this alone that true courage and perfect generosity consist: for what the world calls courage and power of character are nothing but cowardice and pusillanimity. This, then, is what I mean by detachment from the world: renouncing the world, and living in the world as though not of it. Aeterna Press
The Six Enneads
The Will of God is able to cope with the ceaseless flux and escape of body stuff by ceaselessly reintroducing the known forms in new substances, thus ensuring perpetuity not to the particular item but to the unity of idea: now, seeing that objects of this realm possess no more than duration of form, why should celestial objects, and the celestial system itself, be distinguished by duration of the particular entity? Aeterna Press
First Love and Other Stories
This collection brings together six of Turgenev's best-known `long' short stories, in which he turns his skills of psychological observation and black comedy to subjects as diverse as the tyranny of serfdom, love, and revenge on the Russian steppes. These stories all display the elegance and clarity of Turgenev's finest writing.
Love and Other Stories
Raymond Carver called Anton Chekhov "the greatest short story writer who has ever lived." This unequivocal verdict on Chekhov's genius has been echoed many times by writers as diverse as Katherine Mansfield, Somerset Maugham, John Cheever and Tobias Wolf. While his popularity as a playwright has sometimes overshadowed his achievements in prose, the importance of Chekhov's stories is now recognized by readers as well as by fellow authors. Their themes--alienation, the absurdity and tragedy of human existence--have as much relevance today as when they were written, and these superb new translations capture their modernist spirit. Elusive and subtle, spare and unadorned, the stories in this selection are among Chekhov's most poignant and lyrical. The book includes well-known pieces such as "The Lady with the Little Dog," as well as less familiar work like "Gusev," inspired by Chekhov's travels in the Far East, and "Rothschild's Violin," a haunting and darkly humorous tale about death and loss. The stories are arranged chronologically to show the evolution of Chekhov's art.
