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This collection of essays focuses on current theories of sensation and synaesthesia in films and audiovisual works from a variety of methodological perspectives. It offers an insightful exploration of recent film theories about the cinematic experience. Film spectatorship and its extension in new media as a similar form of audience enjoyment stimulates both our senses and mind by creating immersive environments that involve different levels of emotion and consciousness. The collection addresses these topics through its five sections. The first, “Perception,” focuses on the synaesthetic mechanism underpinning film perception and its connection with affect, cognition, and emotions. The sec...
This book is the largest referral for Turkish companies.
Due to the changing climate, food security for the increasing population has raised a great threat globally. Therefore, it is imperative to find alternate solutions for enhancing agricultural sustainability through plant stress physiology. The concept of plant stress physiology has been well-established over the past 60 years due to the increasing trends of environmental stress. Researchers have found that crop stress physiology has an association with two main areas, one is concerned with agronomy, the other concerned with plant breeding. The contents of the current book emphasize the integration of both breeding and agronomy strategies to ensure agricultural productivity and environmental safety under changing climate.
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With its twisty serialized plots, compelling antiheroes, and stylish production, Breaking Bad has become a signature series for a new golden age of television, in which some premium cable shows have acquired the cultural prestige usually reserved for the cinema. In Breaking Bad and Cinematic Television Angelo Restivo uses the series as a point of departure for theorizing a new aesthetics of television: one based on an understanding of the cinematic that is tethered to affect rather than to medium or prestige. Restivo outlines how Breaking Bad and other contemporary “cinematic” television series take advantage of the new possibilities of postnetwork TV to create an aesthetic that inspires new ways to think about how television engages with the everyday. By exploring how the show presents domestic spaces and modes of experience under neoliberal capitalism in ways that allegorize the perceived twenty-first-century failures of masculinity, family, and the American Dream, Restivo shows how the televisual cinematic has the potential to change the ways viewers relate to and interact with the world.
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“Bilgisiyle iş görmeyen bilgin, cahil sayılır!” O, tarihe “Şeyh Bedreddin İsyanı” adıyla geçmiş bir dini ve siyasi ayaklanmanın lideri... Bir Osmanlı mutasavvıfı, filozof ve kazasker... Şeyh Bedreddin kurulu düzene karşı gelen ve tanrılardan ateşi çalıp insanlara veren Prometheus gibi bir yarı tanrıydı. Prometheus iktidarın gücü olan ateşi insanlara vererek sarsmıştı tanrıların düzenini. Şeyh Bedreddin ise “iştirakçi” yeni bir düzen kurmakla yıkmıştı otoritesini tiranların. Şeyh Bedreddin’in, adalet mücadelesiyle ölü topraklar üzerinde yeşerttiği umut, sonrasında zalimce kana bulansa da, tarihler boyunca cesaret ve eylem ateşi çaktırmaya devam etti kendinden sonra gelenlere...
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