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Minamata
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Traditional Japanese Arts And Culture
Compiled in this volume is original material on Japanese arts and culture from the prehistoric era to the Meiji Restoration (1867). These sources, including many translated here for the first time, are placed in their historical context and outfitted with brief commentaries, allowing the reader to make connections to larger concepts and values found in Japanese culture. This book contains material on the visual and literary arts, as well as primary texts on topics not easily classified in Western categories, such as the martial and culinary arts, the art of tea, and flower arranging. More than sixty color and black-and-white illustrations enrich the collection and provide further insights into Japanese artistic and cultural values. Also included are a bibliography of English-language and Japanese sources and an extensive list of suggested further readings.
Fx Beauties
The FX Beauties are an online trading collective of Japanese women--mostly housewives who trade digital currencies. By reworking the relationship between domesticity, cultural gender politics, financial systems, and decentralized networks, the FX Beauties demonstrate both the fragility and fortitude of gender norms in a neoliberal economy.
The Jazz Loft Project
Reissue of an acclaimed collection of images from photographer W. Eugene Smith’s time in a New York City loft among jazz musicians. In 1957, Eugene Smith walked away from his longtime job at Life and the home he shared with his wife and four children to move into a dilapidated, five-story loft building at 821 Sixth Avenue in New York City’s wholesale flower district. The loft was the late-night haunt of musicians, including some of the biggest names in jazz—Charles Mingus, Zoot Sims, Bill Evans, and Thelonious Monk among them. Here, from 1957 to 1965, he made nearly 40,000 photographs and approximately 4,000 hours of recordings of musicians. Smith found solace in the chaotic, somnambulistic world of the loft and its artists, and he turned his documentary impulses away from work on his major Pittsburg photo essay and toward his new surroundings. Smith’s Jazz Loft Project has been legendary in the worlds of art, photography, and music for more than forty years, but until the publication of this book, no one had seen his extraordinary photographs or read any of the firsthand accounts of those who were there and lived to tell the tales.
To the Village Square
This collection of vivid photographs tells the story of citizens who spoke up against the nuclear power industry, who refused to be nuclear neighbors, and who fought for years to stop construction or to close reactors in their backyards. The photographs also introduce us to the victims of nuclear power, among them the children who developed cancer and other grave health problems, even generations after the 1986 explosion at Chernobyl. Through Lionel Delevingne’s record, we can see for ourselves the tragedies of the worst accident sites: Three Mile Island in the United States, Chernobyl in Russia, and Fukushima in Japan. We hope that this collection and history will help take the story of atomic energy “to the village square,” that it will generate discussion and a renewed sense of urgency, and remind a new generation of the battles that have been fought and are still to be fought to protect the beauty and health of our world.
Gene Smith's Sink
"An incisive biography of the prolific photo-essayist W. Eugene Smith; In an interview with Philippe Halsman, W. Eugene Smith remarked: "I didn't write the rules, why should I follow them?" Famously unabashed, Smith is photography's most celebrated humanist. During his reign as a photo-essayist at Life magazine in the 1940s and 1950s, he established himself as an intimate chronicler of human culture. His photographs of jazz musicians, disasters, doctors, and midwives revolutionized the role that image-making played in journalism, transforming photography for decades to come. In 1997, lured by the intoxicating trail of people that emerged from Smith's stupefying archive, Sam Stephenson set ou...
Operation Snow
Americans have long debated the cause of the December 7, 1941 bombing of Pearl Harbor. Many have argued that the attack was a brilliant Japanese military coup, or a failure of U.S. intelligence agencies, or even a conspiracy of the Roosevelt administration. But despite the attention historians have paid to the bombing of Pearl Harbor, the truth about that fateful day has remained a mystery—until now. In Operation Snow: How a Soviet Mole in FDR’s White House Triggered Pearl Harbor, author John Koster uses recently declassified evidence and never-before-translated documents to tell the real story of the day that FDR memorably declared would live in infamy, forever. Operation Snow shows how Joseph Stalin and the KGB used a vast network of double-agents and communist sympathizers—most notably, Harry Dexter White—to lead Japan into war against the United States, demonstrating incontestable Soviet involvement behind the bombing of Pearl Harbor. A thrilling tale of espionage, mystery and war, Operation Snow will forever change the way we think about Pearl Harbor and World War II.
Get the Picture
How do photojournalists get the pictures that bring us the action from the world's most dangerous places? How do picture editors decide which photos to scrap and which to feature on the front page? Find out in Get the Picture, a personal history of fifty years of photojournalism by one of the top journalists of the twentieth century. John G. Morris brought us many of the images that defined our era, from photos of the London air raids and the D-Day landing during World War II to the assassination of Robert Kennedy. He tells us the inside stories behind dozens of famous pictures like these, which are reproduced in this book, and provides intimate and revealing portraits of the men and women who shot them, including Robert Capa, Henri Cartier-Bresson, and W. Eugene Smith. A firm believer in the power of images to educate and persuade, Morris nevertheless warns of the tremendous threats posed to photojournalists today by increasingly chaotic wars and the growing commercialism in publishing, the siren song of money that leads editors to seek pictures that sell copies rather than those that can change the way we see the world.
Connecting to the Living History of Radiation Exposure
This book highlights the multiple ways of telling stories of radiation exposure; they include stories about Japan, Australia, the United States, the Canadian Arctic, and more, and they probe the framing of major incidents such as Three Mile Island, Chernobyl, and Fukushima. All the chapters in this book are written by authors who participated in our work at Oregon State University and have benefited from hearing not only from scientists but also from those whose lives were directly affected by the history of radiation exposure. The question ‘What is at stake when researching and narrating the histories of radiation exposure?’ is discussed, but the book does not reinforce existing frameworks, such as legal decisions or government policies, but rather highlights what narrative framings accomplish and commit by scrutinizing them with rigorous research, varied approaches, and, above all, listening to those whose lives were most affected by exposure. Previously published in Journal of the History of Biology Volume 54, issue 1, April 2021
Japan in the World
The twentieth century is as remarkable for its world wars as it is for its efforts to outlaw war in international and constitutional law and politics. Japan in the World examines some of these efforts through the life and work of Shidehara Kijuro, who was active as diplomat and statesman between 1896 until his death in 1951. Shidehara is seen as a guiding thread running through the first five decades of the twentieth century. Through the 1920s until the beginning of the 1930s, his foreign policy shaped Japan's place within the community of nations. The positive role Japan played in internation.
