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Islamic Arms and Armour
"Royal Armouries, arms and armour series"--Cover.
Islamic Arms and Armor in The Metropolitan Museum of Art
Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. The collection includes rare early works, among them the oldest...
Islamic and Oriental Arms and Armour
The book illustrates over 1,000 items of Islamic and Oriental arms and armour which represent the finest and most interesting examples originating from Islamic and Hindu cultures and beyond, including Russia, China, Tibet, Mongolia, Korea and South East Asia. All the items illustrated have passed through the hands of Robert Hales during the last 45 years. Divided into four sections: daggers, swords, firearms, and armour, with the occasional transgression, the publication also includes a useful glossary of terms. The text is concise and descriptive as well as containing information that is being published for the first time.
The Arts of War
This is a lavishly illustrated presentation of the Nasser D. Khalili Collection of Islamic Art's collection of arms and armor. The items range in date from the seventh to the nineteenth centuries A.D. In avoiding the strictly typological classification of most previous catalogues of the subject, the aim is to give a full sense of the panoply of warfare: the stirrup, the drum, and the talismanic shirt were as important to the Muslim warrior as the sword and the mail shirt. David Alexander, the leading authority on Islamic arms and armor, has provided a detailed scholarly guide to this outstanding collection.
Al-Andalus
From 711 when they arrived on the Iberian Peninsula until 1492 when scholars contribute a wide-ranging series of essays and catalogue entries which are fully companion to the 373 illustrations (324 in color) of the spectacular art and architecture of the nearly vanished culture. 91/2x121/2 they were expelled by Ferdinand and Isabella, the Muslims were a powerful force in al-Andalus, as they called the Iberian lands they controlled. This awe-inspiring volume, which accompanies a major exhibition presented at the Alhambra in Granada and The Metropolitan Museum of Art in New York, is devoted to the little-known artistic legacy of Islamic Spain, revealing the value of these arts as part of an autonomous culture and also as a presence with deep significance for both Europe and the Islamic world. Twenty-four international Annotation copyrighted by Book News, Inc., Portland, OR
Warriors and their Weapons around the Time of the Crusades
The technological relationship between the three main civilizations of the Western world - Byzantium, the Islamic world and the West - most particularly in the area of arms, armour and military technology is a field of research for which Dr Nicolle is noted. This volume deals principally with Western Europe and Byzantium, which for many centuries learnt from the Muslims in these matters; several articles also focus on military interactions in the Crusader states. The work draws upon both written and archaeological sources, but above all makes use of the depictions of war and military equipment in contemporary art to examine the interconnections across the medieval world.
Arms and Armor from Iran
This book is the result of more than a decade of intensive research in the field of Iranian arms and armor, illustrating for the first time selected arrays from 10 Iranian museums. The topic is introduced with a general overview of Iranian history with particular emphasis on military history. Drawing from more than 500 sources, this study also includes an overview of the development of historical copper, bronze, iron, and steel weapons such as swords, bows, maces, axes, shields, armor, and more. In-depth information regarding the classification of the various artifacts is also presented, and different signatures on swords and other weapons are illustrated within the treatise, exploring each item in its cultural setting. A chapter dedicated to the martial arts and warrior training in ancient Iran, traces of which are still evident in the modern culture, is also featured.
