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Antonin Artaud
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Artaud
Une trentaine d'années ont passé — l'espace d'une génération — depuis la mort d'Artaud. C'est une bonne distance pour tenter de dresser un bilan. Voilà un homme qui a profondément marqué l'esprit de ses contemporains : si profondément qu'il a pris très vite une stature de légende. Il est devenu le lieu géométrique des turbulences et des idolâtries. Toute une imagerie s'est mise en place dès ses dernières années : le poète maudit, le rénovateur du théâtre moderne, le prophète de l'antipsychiatrie... Clichés sans doute, mais qui ont exercé en France et hors de France une influence dont on ne finit pas de dénombrer les marques. Etiemble a naguère décrit, démonté ...
Artaud-Dulac
Film d'avant-garde mythique réalisé par Germaine Dulac sur un scénario d'Artaud, La coquille et le clergyman suscita un scandale surréaliste mémorable lors de sa sortie en 1928. A partir d'éléments portant sur le tournage, la personnalité des initiateurs et les prises de position du groupe surréaliste, les auteurs éclairent la fameuse querelle et rendent justice à Germaine Dulac.
Stolen Limelight
Who has not, in a favored moment, ‘stolen the limelight’, whether inadvertently or by design? The implications of such an act of display – its illicitness, its verve, its vertiginous reversal of power, its subversiveness – are explored in this book. Narrative crafting and management of such scenarios are studied across canonical novels by Gide, Colette, Mauriac, and Duras, as well as by African Francophone writer Oyono and detective novelist Japrisot. As manipulated within narrative, acts of display position a viewer or reader from whom response (from veneration or desire to repugnance or horror) is solicited; but this study demonstrates that display can also work subversively, destabilising and displacing such a privileged spectator. As strategies of displacement, these scenarios ultimately neutralise and even occult the very subject they so energetically appear to solicit. Powered by gendered tensions, this dynamic of display as displacement works toward purposes of struggle, resistance or repression.
Artaud and His Doubles
DIVA radical re-thinking of one of the most canonized figures in theater history, theory, and practice/div
Dada and Surrealist Film
This groundbreaking collection of thirteen original essays analyzes connections between film and two highly influential twentieth-century movements.
Eight and a Half
8 1/2 is among the greatest films of one of the masters of Italian cinema, Federico Fellini. This is the first English translation of the dialogue and the first complete continuity script of 8 1/2. This richly comic work, long recognized as the most important expression of the director's views about himself and his art, communicates to its viewers an understanding of the processes of filmmaking itself. 8 1/2 is the story of a director's efforts to make a film; it depicts the conditions of creativity, the struggle waged between the individual and the world, a struggle that finally makes some sense out of life and art.
Figures of Desire
"An important contribution to film theory. . . . Williams has a fluid, assured style. She is clearly in command of the subject. She's made a strong and original argument for the psychoanalytic basis of Surrealism."--James Monaco, author of The New Wave
