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These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.
During the early era of cinema, moviegoers turned to women editors and writers for the latest on everyone's favorite stars, films, and filmmakers. Richard Abel returns these women to film history with an anthology of reviews, articles, and other works. Drawn from newspapers of the time, the selections show how columnists like Kitty Kelly, Mae Tinee, Louella Parsons, and Genevieve Harris wrote directly to female readers. They also profiled women working in jobs like scenario writer and film editor and noted the industry's willingness to hire women. Sharp wit and frank opinions entertained and informed a wide readership hungry for news about the movies but also about women on both sides of the camera. Abel supplements the texts with hard-to-find biographical information and provides context on the newspapers and silent-era movie industry as well as on the professionals and films highlighted by these writers. An invaluable collection of rare archival sources, Movie Mavens reveals women's essential contribution to the creation of American film culture.
During the 1990s, reforms in the English legal profession transformed traditions, over the vigorous objections of the judiciary, Bar, and Law Society. This book mines that tumultuous period for insights into the prospects of professionalism in the 21st century.
A history of French film
Among all those who encounter the law in the conduct of their lives or who consider it as a career, few have a solid understanding of the legal profession in America, and fewer still know anything about systems in other parts of the world. Lawyers in Society offers a concise comparative introduction to the practice of law in a number of countries: England, Germany, Japan, Venezuela, and Belgium. Extracted from the editors' three highly successful volumes Lawyers in Society, these essays guide readers through the differing worlds of civil and common law, law in Europe and Asia, and first and third world legal systems. One contribution addresses the changing role of women in the profession--women comprise half of all new lawyers in most countries--and the changes they are bringing. A new introduction and concluding essay reflect on the place of this volume in current and future research.
Analyzes barristers and solicitors as a legal profession in England and Wales.
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
The Description for this book, French Cinema: The First Wave, 1915-1929, will be forthcoming.
A collection of 19 articles drawn from the Law and Society Review. Written by sociologists, legal scholars, and political scientists, the chapters are divided into sections on disputing, social control, norm creation, regulation, equality, ideology and consciousness, and the legal profession. Each chapter is followed by discussion questions, while methodological discussion and references have been pruned from the original articles for the purpose of this reader. Lacks an index. Annotation copyright by Book News, Inc., Portland, OR