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These young refugees were followed by other groups of young people from war-torn Europe whose life journeys were 'interrupted', in fact, underwent total and permanent change, as a result of Hitler's Reich.
From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Alan Steinweis focuses on the fields of music, theater, and the visual arts in this first major study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. Steinweis gives special attention to Nazi efforts to purge the arts of Jews and other so-called undesirables. Steinweis describes the political, professional, and economic environment in which German artists were compelled to function and explains the structure of decision mak...
The 25th Anniversary of the Groundbreaking Classic. "If there was any doubt about the need for social transformation in 1970, that need is clear and urgent today....I am now more convinced than ever that the conflict and suffering now threatening to engulf us are entirely unnecessary, and a tragic waste of our energy and resources. We can create an economic system that is not at war with human beings or nature, and we can get from here to there by democratic means."--from the new Preface by Charles A. Reich.
In the dying days of World War Two, when the fate of nations was being decided by the triumvirate of Winston Churchill, Franklin D. Roosevelt and Josef Stalin, Hitler's Austrian homeland provided a scenic backdrop for the last stand of Army Group South. Killing Hitler's Reich, The Battle For Austria 1945, is the history of the bloody Battle for Austria in 1945. Austria's fate held major ramifications for postwar Europe and the entire free world, yet there is no complete account of the campaign written in English. Given the scale of the fighting and the scope of the consequences, this book fills a major gap in the literature of World War Two. On VE Day, Army Group South listed 450,000 men sti...
Some vols. include supplemental journals of "such proceedings of the sessions, as, during the time they were depending, were ordered to be kept secret, and respecting which the injunction of secrecy was afterwards taken off by the order of the House."
"Wilhelm II or William II (German: Friedrich Wilhelm Viktor Albrecht; English: Frederick William Victor Albert) (27 January 1859? 4 June 1941) was the last German Emperor (Kaiser) and King of Prussia, ruling the German Empire and the Kingdom of Prussia from 15 June 1888 to 9 November 1918. He was a grandson of the British Queen Victoria and related to many monarchs and princes of Europe. Crowned in 1888, he dismissed the Chancellor, Otto von Bismarck, in 1890 and launched Germany on a bellicose "New Course" in foreign affairs that culminated in his support for Austria-Hungary in the crisis of July 1914 that led to World War I. Bombastic and impetuous, he sometimes made tactless pronouncements on sensitive topics without consulting his ministers, culminating in a disastrous Daily Telegraph interview that cost him most of his power in 1908. His generals dictated policy during World War I with little regard for the civilian government. An ineffective war leader, he lost the support of the army, abdicated in November 1918, and fled to exile in the Netherlands."--Wikipedia.
Fritzsche deciphers the puzzle of Nazism's ideological grip. Its basic appeal lay in the Volksgemeinschaft - a "people’s community" that appealed to Germans to be part of a great project to redress the wrongs of the Versailles treaty, make the country strong and vital, and rid the body politic of unhealthy elements. Diaries and letters reveal Germans' fears, desires, and reservations, while showing how Nazi concepts saturated everyday life.
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From Harriet Beecher Stowe's image of the Mississippi's "bosom" to Henry David Thoreau's Cape Cod as "the bared and bended arm of Massachusetts," the American environment has been represented in terms of the human body. Exploring such instances of embodiment, Cecelia Tichi exposes the historically varied and often contrary geomorphic expression of a national paradigm.