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Sloth
A richly illustrated cultural and natural history of the lethargic animal--from prehistoric ancestry to modern-day memes. Sloths are perhaps the most recognized and loved Central and South American animals, but they are not well understood. This book offers a colorful and wide-ranging biological and cultural history of these fascinating mammals. Alan Rauch explores how today's lethargic sloths evolved from gigantic prehistoric ancestors and earned their deadly, sinful names. In praise of both these beautiful creatures and their status as icons of a stress-free life, this book shows just how fascinating, engaging, and (more often than not) inspiring these animals can be.
Useful Knowledge
DIVA statement on how “knowledge” is socialized and assimilated by a culture, investigating popular and canonical fiction, early encyclopedias, and other popular efforts at mass education and knowledge dissemination./div
Dolphin
From Flipper to SeaWorld, dolphins have long captured our hearts. We love these friendly, intelligent mammals, and they seem to return our feelings—they enjoy interacting with swimmers and have been known to encircle people under attack by sharks. Despite our familiarity with dolphins, though, we remain ill-informed about how they evolved, how they function, and how they have interacted with humans for millennia. Dolphin dives into the dolphin’s zoology, as well as its social and cultural history, to offer a comprehensive view of these delightful creatures. Drawing on his years of experience working with and studying dolphins, Alan Rauch explores their propensity to live in pods and thei...
Pervert-Schizoid-Woman
Touching on the fields of philosophy, critical theory, cultural studies, and queer theory, Pervert-Schizoid-Woman critiques the organization of Western economy, language, and desire. Author Michael Williams seeks to promote alternative frameworks for a posthumanist theory and practice of perverse selfhood and sociality. In this study, he identifies the capitalist economic system as structured by scarcity and supply/demand dynamics, discerning the paradoxical accumulation of debt as the essence of the assumed scarcity in the financial system. He also uncovers the profound isomorphism between the economics of scarcity and the castration and lack at the center of the psychoanalytic interpretation of gender, sexuality, and desire, concluding that the essential negativity in the scarcity of capitalism, the absence in the structure of language, and the castration in the network of desire are the sources of the dysfunctions in Western systems of finance, expression, and gender and sexuality.
Imagining Socialism
Socialism names a form of collective life that has never been fully realized; consequently, it is best understood as a goal to be imagined. So this study argues, and thereby uncovers an aesthetic impulse that animates some of the most consequential socialist writing, thought, and practice of the long nineteenth century. Imagining Socialism explores this tradition of radical activism, investigating the diverse ways that British socialists--from Robert Owen to the mid-century Christian Socialists to William Morris--marshalled the resources of the aesthetic in their efforts to surmount politics and develop non-governmental forms of collective life. Their ambitious attempts at social regeneration led some socialists to explore the liberatory possibilities afforded by cooperative labor, women's emancipation, political violence, and the power of the arts themselves. Imagining Socialism demonstrates that, far from being confined to the socialist revival of the fin de siècle, important socialist experiments with the emancipatory potential of the aesthetic in Britain may be found throughout the period it calls the socialist century--and may still inspire us today.
In Common Things
The hardness of stone, the pliancy of wood, the fluidity of palm oil, the crystalline nature of salt, and the vegetable qualities of moss – each describes a way of being in and understanding the world. These substances are both natural objects hailed in Romantic literature and global commodities within a system of extraction and exchange that has driven climate change, representing the paradox of the modern relation to materiality. In Common Things examines these five common substances – stone, wood, oil, salt, and moss – in the literature of Romantic period authors, excavating their cultural, ecological, and commodity histories. The book argues that the substances and their histories ...
Science on Stage
Science on Stage is the first full-length study of the phenomenon of "science plays"--theatrical events that weave scientific content into the plot lines of the drama. The book investigates the tradition of science on the stage from the Renaissance to the present, focusing in particular on the current wave of science playwriting. Drawing on extensive interviews with playwrights and directors, Kirsten Shepherd-Barr discusses such works as Michael Frayn's Copenhagen and Tom Stoppard's Arcadia. She asks questions such as, What accounts for the surge of interest in putting science on the stage? What areas of science seem most popular with playwrights, and why? How has the tradition evolved throu...
Culturing the Child, 1690-1914
Utilizing new historicist, feminist, and cultural studies critiques, this collection of essays provides new perspectives on early children's literary texts and the work of children's literature scholar Mitzi Myers (1939-2001).
The List
“I am no more lonely than the Mill Brook, or a weathercock, or the north star, or the south wind, or an April shower, or a January thaw, or the first spider in a new house,” wrote Henry David Thoreau in Walden. In creating this list, and many others that appear in his writings, Thoreau was working within a little-recognized yet ancient literary tradition: the practice of listing or cataloguing. This beautifully written book is the first to examine literary lists and the remarkably wide range of ways writers use them. Robert Belknap first examines lists through the centuries—from Sumerian account tablets and Homer’s catalogue of ships to Tom Sawyer’s earnings from his fence-painting scheme—then focuses on lists in the works of four American Renaissance authors: Emerson, Whitman, Melville, and Thoreau. Lists serve a variety of functions in Emerson’s essays, Whitman’s poems, Melville’s novels, and Thoreau’s memoirs, and Belknap discusses their surprising variety of pattern, intention, scope, art, and even philosophy. In addition to guiding the reader through the list’s many uses, this book explores the pleasures that lists offer.
