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No Author Better Served
Samuel Beckett claimed he couldn't talk about his work, but he proves remarkably forthcoming in these pages, which document the thirty-year working relationship between the playwright and his principal producer in the United States, Alan Schneider. The 500 letters capture the world of theater as well as the personalities of their authors.
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Directing Beckett
Interviews with and essays by twenty-two prominent directors of Samuel Beckett's work
A Taste for the Negative
This study examines the relationship between Samuel Beckett and nihilism.
Conversations with Stanley Kauffmann
This collection of interviews with Stanley Kauffmann (b. 1916) provides a virtual history of the journalistic practice of criticism in twentieth-century America. His creative life spans seven decades, and since 1958, he has been a film and drama critic for the New Republic, the New York Times, and Saturday Review. He also has been an actor, stage manager, playwright, novelist, and editor. Along with Dwight Macdonald, Andrew Sarris, and John Simon, he is one of the potent, influential critics included in the New York school of twentieth-century American criticism. The Los Angeles Times called him "the Dean Swift of our country's criticism." Susan Sontag proclaimed him "one of our national tre...
Father Hartke
"In this biography, Mary Jo Santo Pietro chronicles Father Hartke's experiences and endless achievements by combining his own stories, taped weekly during the last year of his life, with stories told by friends, colleagues, and celebrities. The book offers an inside look at major theatrical and political events in the nation's capital from the 1930s through the 1980s, and also uncovers the complex and paradoxical character of the man known as the "White House priest" and "Show Biz priest.""--BOOK JACKET.
A Samuel Beckett Chronology
This is the most complete chronological account of Samuel Beckett's life and work, with full details of how, when and where each work by him came to be written, many details of which have only recently come to light and are often not known to scholars working in the field.
Global Fissures
The essays in this volume examine the tensions between two major political and intellectual structures: the global and the postcolonial, charting the ways in which such tensions are constitutive of changing power relations between the individual, the nation-state and global forces. Contributors ask how postcolonialism, with its emphasis on cultural difference and diversity, can respond to the new, neo-imperialist imperatives of globalization. Signalling the discursive grounds for debate is the fissures/fusions title, suggesting alternative categorizations of stereotypes like ‘global homogenization’ and ‘postcolonial resistance’. Interwoven are considerations of the intellectual or wr...
Edward Albee and Absurdism
In Edward Albee and Absurdism—the inaugural volume in the new book series, New Perspectives in Edward Albee Studies—Michael Y. Bennett has assembled an outstanding team of Edward Albee scholars to address Albee’s affiliation with Martin Esslin’s label, “Theatre of the Absurd,” examining whether or not this label is appropriate. From scholarly essays and lengthy review-essays to an important interview with the noted playwright and director, Emily Mann, the aim of this collection is to, at last, directly (and indirectly) confront Esslin’s label in regards to Albee’s plays in order to create a scholarly atmosphere that allows future Albee scholars to move on to new and, frankly, more relevant lines of inquiry. Contributors are: Michael Y. Bennett, Linda Ben-Zvi, David A. Crespy, Colin Enriquez, Lincoln Konkle, David Marcia, Dena Marks, Brenda Murphy, Tony Jason Stafford, and Kevin J Wetmore Jr.
