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Writing Ground Zero
Treat summarizes the Japanese contribution to such ongoing international debates as the crisis of modern ethics, the relationship of experience to memory, and the possibility of writing history. This Japanese perspective, he shows, both confirms and amends many of the assertions made in the West on the shift that the death camps and nuclear weapons have jointly signaled for the modern world and for the future.
The Aesthetics of Japanese Fascism
In this wide-ranging study of Japanese cultural expression, Alan Tansman reveals how a particular, often seemingly innocent aesthetic sensibility—present in novels, essays, popular songs, film, and political writings—helped create an "aesthetic of fascism" in the years leading up to World War II. Evoking beautiful moments of violence, both real and imagined, these works did not lead to fascism in any instrumental sense. Yet, Tansman suggests, they expressed and inspired spiritual longings quenchable only through acts in the real world. Tansman traces this lineage of aesthetic fascism from its beginnings in the 1920s through its flowering in the 1930s to its afterlife in postwar Japan.
The Culture of Japanese Fascism
This bold collection of essays demonstrates the necessity of understanding fascism in cultural terms rather than only or even primarily in terms of political structures and events. Contributors from history, literature, film, art history, and anthropology describe a culture of fascism in Japan in the decades preceding the end of the Asia-Pacific War. In so doing, they challenge past scholarship, which has generally rejected descriptions of pre-1945 Japan as fascist. The contributors explain how a fascist ideology was diffused throughout Japanese culture via literature, popular culture, film, design, and everyday discourse. Alan Tansman’s introduction places the essays in historical context...
The Politics of Knowledge
The usefulness and political implications of Area Studies programs are currently debated within the Academy and the Administration, where they are often treated as one homogenous and stagnant domain of scholarship. The essays in this volume document the various fields’ distinctive character and internal heterogeneity as well as the dynamism resulting from their evolving engagements with funders, US and international politics, and domestic constituencies. The authors were chosen for their long-standing interest in the intellectual evolution of their fields. They describe the origins and histories of US-based Area Studies programs, highlighting their complex, generative, and sometimes contentious relationships with the social science and humanities disciplines and their diverse contributions to the regions of the world with which they are concerned.
Japanese Literature: a Very Short Introduction
"With a history stretching back nearly 1,500 years, Japan literature encompasses a vast range of forms and genres. Since the eighth century, poetry and the non-philosophical lyric voice have occupied a central position in Japanese literary expression. The art of narrative blossomed in the eleventh century with one of the world's great literary masterpieces, Murasaki Shikibu's The Tale of Genji and later in the work of the great modern novelists Natsume Sôseki, Tanizaki Jun'ichirô, Kawabata Yasunari, Kôbo Abe, and Ôe Kenzaburô. Beginning with Murasaki and through the present day, Japanese women have occupied a central place in the tradition: Higuchi Ichiyô, Kôda Aya, Takahashi Takako, among others. Japanese literature birthed other genres no less important than poetry and narrative, among them the literary diary, the free-flowing essay, drama, the picture book, and the literary treatise"--
Negotiating Identity
Nakagami Kenji is today regarded as one of the most important and influential Japanese post-war writers. Born in 1946 in the burakumin ghetto of the small coastal town of Shingu in southern Wakayama prefecture, Nakagami sailed up as a rising star on the literary skies in the mid-seventies when he became the first writer born after the Second World War to win the prestigious Akutagawa prize. He was also the first writer of the burakumin background to receive wide literary acclaim and recognition from critics and from the literary establishment. The reception of Nakagami's literature has placed him simultaneously both at the avant-garde of modern Japanese literature and near the nostalgic root...
The Human Tradition in Modern Japan
The Human Tradition in Modern Japan is a collection of short biographies of ordinary Japanese men and women, most of them unknown outside their family and locality, whose lives collectively span the nineteenth and twentieth centuries. Their stories present a counterweight to the prevailing stereotypes, providing students with depictions of real people through the records they have left-records that detail experiences and aspirations. The Human Tradition in Modern Japan offers a human-scale perspective that focuses on individuals, reconstitutes the meaning of people's experiences as they lived through them, and puts a human face on history. It skillfully bridges the divides between the sexes, between the local and the national, and between rural and urban, as well as spanning crucial moments in the history of modern Japan. The Human Tradition in Modern Japan is an excellent resource for courses on Japanese history, East Asian history, and peoples and cultures of Japan.
China's Conservative Revolution
Interweaving political, intellectual, cultural and diplomatic histories, Tsui demonstrates how the Guomindang's national revolution turned conservative after the 1927 anti-Communist coup and contributed to the ascendancy of the global radical right. This revisionist reading of Nationalist China will appeal to a wide range of students and scholars.
Reading the Kimono in Twentieth-Century Japanese Literature and Film
Often considered an exotic garment of “traditional Japan,” the kimono is in fact a vibrant part of Japanese modernity, playing an integral role in literature and film throughout the twentieth century. Reading the Kimono in Twentieth-Century Japanese Literature and Film is the first extended study to offer new ways of interpreting textual and visual narratives through “kimono language”—what these garments communicate within their literary, historical, and cultural contexts. Kimonos on the page and screen do much more than create verisimilitude or function as one-dimensional symbols. They go beyond simply indicating the wearer’s age, gender, class, and taste; as eloquent, heterogen...
Motherhood and War
Traditional histories of war have typically explored masculine narratives of military and political action, leaving private, domestic life relatively unstudied. This volume expands our understanding by looking at the relationships between mothers and children, and the varied roles both have assumed during periods of armed conflict.
