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The French Revolution
Author Albert Mathiez considers Maximilien Robespierre a hero of the French Revolution rather than dictatorial and fanatical.
After Robespierre
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Bourgeois, Sans-Culottes and Other Frenchmen
Few events are as complex as a social revolution—as the disputes among historians over the nature of the French Revolution attest. Was it Atlantic or national, bourgeois or sans-culotte, a product of poverty or prosperity, one revolution or several? The essays in this volume, in honour of an eminent student of the Revolution, demonstrate the complexity once again. Stanley Idzerda and Ruth Strong Hudson consider the cases of two individuals influential in the Revolution, Lafayette and Gerard, while James Harkins investigates the intellectual origins of Babouvism. Themistocles Rodis asks whether morals declined during the Revolution, and Morris Slavin reassesses the effect on the Revolution of the struggle in section Roi de Sicile between monarchists and republicans. Agnes Smith and James Friguglietti examine the assessment of the Revolution by a contemporary observer (Toulongeon) and a twentieth-century historian (Mathiez).
The French Revolution
Collating key texts at the forefront of new research and interpretation, this updated second edition adds new articles on the Terror and race/colonial issues, and studies all aspects of this major event, from its origins through to its consequences.
The People in Arms
The People in Arms, first published in 2002, is concerned with the mass mobilization of society for war. It takes as its starting point the French levée en masse of 1793, which replaced former theories and regulations concerning the obligation of military service with a universal concept more encompassing in its moral claims than any that had prevailed under the Ancien Régime. The levée en masse has accordingly gone down in history as a spontaneous, free expression of the French people's ideals and enthusiasm. It also became a crucial source for one of the most powerful organizing myths of modern politics: that compulsory, mass social mobilizations merely express, and give effective form to, the wishes or higher values of society and its members. The aim of the papers presented here is to analyse and compare episodes in which this distinctive ideological configuration has played a leading role.
Robespierre
Maximilien Robespierre is one of the greatest figures of European history but is at the same time one of the most reviled and revered. The essays in this volume seek to explain these contradictory views of Robespierre. They provide a balanced and up-to-date account of Robespierre's life and work by looking in turn at his ideology and vision of the Revolution, his role in the political life of Revolutionary France, and finally at representations of Robespierre in the history, drama and fiction of the nineteenth and twentieth centuries.
The French Revolution and the Birth of Modernity
Written from widely different perspectives, these essays characterize the Great Revolution as the dawn of the modern age, the grand narrative of modernity. The scope of issues under scrutiny is extremely broad, ranging from the analyses of the hotly debated class character of 1789 and the problem of the nation state to the “Cult of the Supreme Being,” the emancipation of the Jews, and the cultural heritage of the Revolution. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
Surrealism, History and Revolution
This book is a new account of the surrealist movement in France between the two world wars. It examines the uses that surrealist artists and writers made of ideas and images associated with the French Revolution, describing a complex relationship between surrealism's avant-garde revolt and its powerful sense of history and heritage. Focusing on both texts and images by key figures such as Louis Aragon, Georges Bataille, Jacques-André Boiffard, André Breton, Robert Desnos, Max Ernst, Max Morise, and Man Ray, this book situates surrealist material in the wider context of the literary and visual arts of the period through the theme of revolution. It raises important questions about the politics of representing French history, literary and political memorial spaces, monumental representations of the past and critical responses to them, imaginary portraiture and revolutionary spectatorship. The study shows that a full understanding of surrealism requires a detailed account of its attitude to revolution, and that understanding this surrealist concept of revolution means accounting for the complex historical imagination at its heart.
