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Frances Luttikhuizen chronicles the arrival, reception, and suppression of Protestant thought in sixteenth century Spain—referred to at that time as 'Lutheranism'. It opens with several chapters describing the socio-political-religious context that prevailed in Spain at the beginning of the sixteenth century and the growing trend to use the vernacular for parts of the Mass, as well as for catechizing the populace. Special attention is given to the forerunners, that is, the early alumbrado-deixados, the role of Cardinal Cisneros, and the impact of Erasmus and Juan de Valdes, etc. The use of archival material provides new details regarding the historical framework and the spread of evangelic...
In this history of Spain since 1975, with the collapse of dictatorship and transition to democracy, Aitana Guia demonstrates that a key factor left out of studies on the period -- namely immigration and specifically Muslim immigration -- has helped reinvigorate and strengthen the democratic process. Despite broad diversity and conflicting agendas, Muslim immigrants --often linking up with native converts to Islam -- have mobilized as an effective force. They have challenged the long tradition of Maurophobia exemplified in such mainstream festivities as the Festivals of Moors and Christians; they have taken to task residents and officials who have stood in the way of efforts to construct mosques; and they have defied the members of their own community who have refused to accommodate the rights of women. Beginning in Melilla, in Spanish-held North Africa, and expanding across Spain, the effect of this civil rights movement has been to fill gaps in legislation on immigration and religious pluralism and to set in motion a revision of prevailing interpretations of Spanish history and identity, ultimately forcing Spanish society to open up a space for all immigrants.
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Beginning with the Black Death in 1348 and extending through to the demise of Habsburg rule in 1700, this second edition of Spanish Society, 1348–1700 has been expanded to provide a wide and compelling exploration of Spain’s transition from the Middle Ages to modernity. Each chapter builds on the first edition by offering new evidence of the changes in Spain’s social structure between the fourteenth and seventeenth century. Every part of society is examined, culminating in a final section that is entirely new to the second edition and presents the changing social practices of the period, particularly in response to the growing crises facing Spain as it moved into the seventeenth century. Also new to this edition is a consideration of the social meaning of culture, specifically the presence of Hermetic themes and of magical elements in Golden Age literature and Cervantes’ Don Quijote. Through the extensive use of case studies, historical examples and literary extracts, Spanish Society is an ideal way for students to gain direct access to this captivating period.
From the Alhmabra to Owen Jones, Islamic Arts from Spain tells the story of the art and design produced in Spain under Islamic rule and examines the long-lasting influence of Islamic Spain on European decorative arts. The book looks first at patronage during the 'Golden Age' of the Umayyad caliphate, from the mid-tenth to the early eleventh century, before discussing the Nasrid dynasty who ruled from Granada in a territory much reduced by the resurgent Christian monarchs of northern Spain. It also explores the phenomenon of the 'Mudejar', Islamic-influenced arts produced for non-Muslim patrons in the Renaissance and the craze for the 'Alhambresque', a style promoted by European designers such as Owen Jones. Addressing the creation, suppression, rediscovery and influence of Islamic art in Spain from the eighth to the twentieth century, the book is lavishly illustrated with objects drawn from the V+A's collections, from exquisite ivory caskets,marble tombstones and capitals to architectural models, jewellery, textiles and ceramics.