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Dulcinea Evers, a young Jamaican artist who has reinvented herself in the USA as the flamboyant Cinea Verse, has died in unclear circumstances. But who was Dulcinea? Her friend, Cheryl, who is carrying her ashes back to New York from her Jamaican funeral, has one story, but the narratives of the other people in her life are different.
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'Doctor Ezekial' Baker and his accomplice Shorty tire of the 'three-card scam', after being chased by an angry crowd. Turning their attention to real estate, they sell mythical plots of land for a non-existent resort. Things are looking good until the two grandchildren of one of their 'investors' begin to track Doctor and Shorty across Jamaica.
In a divided continent, women of colour come together to make a Black Europe visible.
The Caribbean is the source of one of the richest, most accessible, and yet technically adventurous traditions of contemporary world literature. This collection extends beyond the realm of English-speaking writers, to include stories published in Spanish, French, and Dutch. It brings together contributions from major figures such as V. S. Naipaul, and Gabriel Garcia Marquez, and work from the exciting new generation of Caribbean writers represented by Edwidge Danticat, and Jamaica Kincaid.
An alphabetized volume on women writers, major titles, movements, genres from medieval times to the present.
Tropes and Territories demonstrates how current debates in postcolonial criticism bear on the reading, writing, and status of short fiction. These debates, which hinge on competing definitions of "trope" (motif vs rhetorical turn) and "territory" (political or aesthetic), lead to studies of space, place, influence, and writing and reading practices across cultural divides. The essays also explore the character of diasporic writing, the cultural significance of oral tale-telling, and interconnections between socio/political issues and strategies of style.
This book examines the representation of community in contemporary Anglophone Caribbean short stories, focusing on the most recent wave of Anglophone Caribbean short story writers following the genre's revival in the mid-1980s. The first extended study of Caribbean short stories, it presents the phenomenon of interconnected stories as a significant feature of late twentieth- and early twenty-first-century Anglophone Caribbean literary cultures. Lucy Evans contends that the short story collection and cycle, literary forms regarded by genre theorists as necessarily concerned with representations of community, are particularly appropriate and enabling as a vehicle through which to conceptualise...