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No human society has ever been perfect, a fact that has led thinkers as far back as Plato and St. Augustine to conceive of utopias both as a fanciful means of escape from an imperfect reality and as a useful tool with which to design improvements upon it. The most studied utopias have been proposed by men, but during the eighteenth century a group of reform-oriented female novelists put forth a series of work that expressed their views of, and their reservations about, ideal societies. In Women's Utopias of the Eighteenth Century, Alessa Johns examines the utopian communities envisaged by Mary Astell, Sarah Fielding, Mary Hamilton, Sarah Scott, and other writers from Britain and continental ...
Focusing on eighteenth-century constructions of symbolic femininity and eighteenth-century women's writing in relation to contemporary utopian discourse, this volume adjusts our understanding of the utopia of the Enlightenment, placing a unique emphasis on colonial utopias. These essays reflect on issues related to specific configurations of utopias and utopianism by considering in detail English and French texts by both women (Sarah Scott, Sarah Fielding, Isabelle de Charrière) and men (Paltock and Montesquieu). The contributors ask the following questions: In the influential discourses of eighteenth-century utopian writing, is there a place for 'woman,' and if so, what (or where) is it? How do 'women' disrupt, confirm, or ground the utopian projects within which these constructs occur? By posing questions about the inscription of gender in the context of eighteenth-century utopian writing, the contributors shed new light on the eighteenth-century legacies that continue to shape contemporary views of social and political progress.
Since the publication of Thomas More's genre-defining work Utopia in 1516, the field of utopian literature has evolved into an ever-expanding domain. This Companion presents an extensive historical survey of the development of utopianism, from the publication of Utopia to today's dark and despairing tendency towards dystopian pessimism, epitomised by works such as George Orwell's Nineteen Eighty-Four and Margaret Atwood's The Handmaid's Tale. Chapters address the difficult definition of the concept of utopia, and consider its relation to science fiction and other literary genres. The volume takes an innovative approach to the major themes predominating within the utopian and dystopian literary tradition, including feminism, romance and ecology, and explores in detail the vexed question of the purportedly 'western' nature of the concept of utopia. The reader is provided with a balanced overview of the evolution and current state of a long-standing, rich tradition of historical, political and literary scholarship.
Illuminates the treatment of violence in the German cultural tradition between the French Revolution and the Holocaust and Second World War.
An examination of British and German processes of cultural transfer, as spearheaded by feminist reformists, from 1714 to 1837
How the utopian tradition offers answers to today’s environmental crises In the face of Earth’s environmental breakdown, it is clear that technological innovation alone won’t save our planet. A more radical approach is required, one that involves profound changes in individual and collective behavior. Utopianism for a Dying Planet examines the ways the expansive history of utopian thought, from its origins in ancient Sparta and ideas of the Golden Age through to today's thinkers, can offer moral and imaginative guidance in the face of catastrophe. The utopian tradition, which has been critical of conspicuous consumption and luxurious indulgence, might light a path to a society that emp...
Elizabeth Singer Rowe played a pivotal role in the development of the novel during the eighteenth century. Winner of the CHOICE Outstanding Academic Title of the Choice ACRL Elizabeth Singer Rowe and the Development of the English Novel is the first in-depth study of Rowe’s prose fiction. A four-volume collection of her work was a bestseller for a hundred years after its publication, but today Rowe is a largely unrecognized figure in the history of the novel. Although her poetry was appreciated by poets such as Alexander Pope for its metrical craftsmanship, beauty, and imagery, by the time of her death in 1737 she was better known for her fiction. According to Paula R. Backscheider, Rowe's...
DIVEnlightenment’s Frontier is the first book to investigate the environmental roots of the Scottish Enlightenment. What was the place of the natural world in Adam Smith’s famous defense of free trade? Fredrik Albritton Jonsson recovers the forgotten networks of improvers and natural historians that sought to transform the soil, plants, and climate of Scotland in the eighteenth century. The Highlands offered a vast outdoor laboratory for rival liberal and conservative views of nature and society. But when the improvement schemes foundered toward the end of the century, northern Scotland instead became a crucible for anxieties about overpopulation, resource exhaustion, and the physical limits to economic growth. In this way, the rise and fall of the Enlightenment in the Highlands sheds new light on the origins of environmentalism./div
Novel Bodies examines how disability shapes the British literary history of sexuality. Jason Farr shows that various eighteenth-century novelists represent disability and sexuality in flexible ways to reconfigure the political and social landscapes of eighteenth-century Britain. In imagining the lived experience of disability as analogous to—and as informed by—queer genders and sexualities, the authors featured in Novel Bodies expose emerging ideas of able-bodiedness and heterosexuality as interconnected systems that sustain dominant models of courtship, reproduction, and degeneracy. Further, Farr argues that they use intersections of disability and queerness to stage an array of contemp...
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.