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The most complete history to date of the Nazi partisan resistance movement known as the Werwolf at the end of WWII. A fascinating history of great interest to general readers as well as to military historians.
In 1945, the word Germany was synonymous with chaos. The country had become a scene of unprecedented devastation, wrought mainly by a trio of calamities - aerial bombardment, ground fighting and scorched earth measures. The nation's cities and industries lay in ruins, its transportation system was paralyzed and its population was desperately war weary. Millions had become refugees, Germans fleeing the bomb-battered cities and advancing enemy forces, and foreign slave labourers and concentration camp inmates, liberated by the Allies. Amidst a humanitarian crisis of almost unimaginable proportions, the occupiers ordered the mass dismissal of millions of Nazi Party members from government offices threatening the operation of local waterworks, food provisioning systems, hospitals and police forces. Perry Biddiscombe's new book is the first history of denazification of Germany, which has provided the model - albeit flawed - for the De-Communization of Eastern Europe and the De-Baathification of Iraq. The author explores the ideological basis of denazification, German reactions to denazification and assesses how successful the programme was.
The history of the shadowy Werewolf guerrilla bands formed at end of the Second World War as the last desperate defence of Nazis. Founded by Heinrich Himmler in 1944 when it became clear Germany would be invaded, the Werewolf guerrilla movement was given the task of slowing down the Allied advance to allow time for the success of negotiations or wonder weapons. Staying behind in territory occupied by the Allies, its mission was to carry out acts of sabotage, arson and assassination, both of enemy troops and of defeatist Germans. Perry Biddiscombe has researched the movement exhaustively, and details Werewolf operations against the British, Russians and fellow Germans, on the Eastern and Western Fronts and in the post-war chaos of Berlin. Giving the lie to the established story of a cowed German population meekly submitting to defeat, this is a fascinating insight into what has been described as the death scream of the Nazi regime.
The touching and nuanced portrait of the rise and fall of Nazi Germany through the eyes of a resourceful German boy. Ludwig is an odd and introverted child, growing up in Hitler’s Germany. While Ludwig’s father, Wilhelm, is a senior Nazi and a true believer, Ludwig escapes the unfolding catastrophe by withdrawing into nature and books. Eventually, when the Allied bombing campaign intensifies, Ludwig is sent to a Hitler Youth camp, where his oddness makes him a target for bullying. As the war turns against Germany, the Hitler Youth camp becomes ever more severe and militaristic, and the atmosphere spirals towards chaos. After the Nazis abandon the camp, Ludwig returns home, and his father...
“This thoroughly researched and superbly written study” examines the final days of WWII combat within Germany during the occupation of Franconia (WWII History). At the end of World War II, Gen. Dwight D. Eisenhower turned US forces toward the Franconian region of Germany, ordering them to cut off and destroy German units before they could escape into the Alps. Opposing this advance were German forces headed by SS-Gruppenführer Max Simon, a committed National Socialist who advocated merciless resistance. Caught in the middle were the people of Franconia. Historians have largely overlooked this period of violence and terror, but it provides insight into the chaotic nature of life while th...
Originally published anonymously, it was later revealed that this classic work of political fiction was penned by Henry Brooks Adams, the renowned essayist and journalist best known for the autobiography The Education of Henry Adams. Though fictionalized, Democracy: An American Novel offers a gripping account of the vagaries and vicissitudes of political power that still rings true more than a century after it was first published.
The collapse of the Third Reich in 1945 was an event nearly unprecedented in history. Only the fall of the Roman Empire fifteen hundred years earlier compares to the destruction visited on Germany. The country's cities lay in ruins, its economic base devastated. The German people stood at the brink of starvation, millions of them still in POW camps. This was the starting point as the Allies set out to build a humane, democratic nation on the ruins of the vanquished Nazi state-arguably the most monstrous regime the world has ever seen. In Exorcising Hitler, master historian Frederick Taylor tells the story of Germany's Year Zero and what came next. He describes the bitter endgame of war, the ...
This provocative study asks why we have held on to vivid images of the Nazis’ total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Pamela M. Potter investigates how historians since 1945 have written about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts have been colored by politics of the Cold War, the fall of communism, and the wish to preserve the idea that true art and politics cannot mix. Potter maintains that although the persecution of Jewish artists and other “enemies of the state” was a high priority for the Third Reich, removing them from German cultural life did not eradicate their artistic legacies. Art of Suppression examines the cultural histories of Nazi Germany to help us understand how the circumstances of exile, the Allied occupation, the Cold War, and the complex meanings of modernism have sustained a distorted and problematic characterization of cultural life during the Third Reich.
Explores how the Wehrmacht's defensive conduct contributed to the radicalisation of behavioural patterns in Germany during the war's final months.
Writing and Rewriting the Reich tells the complex story of women journalists as both outsiders and insiders in the German press of the National Socialist and post-war years. From 1933 onward, Nazi press authorities valued female journalists as a means to influence the public through charm and subtlety rather than intimidation or militant language. Deborah Barton reveals that despite the deep sexism inherent in the Nazi press, some women were able to capitalize on the gaps between gender rhetoric and reality to establish prominent careers in both soft and hard news. Based on data collected on over 1,500 women journalists, Writing and Rewriting the Reich describes the professional opportunitie...