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Alexandra David-Neel
This unique biography explores the inner journey of a woman whose outer life was a thrilling story of passion and adventure. Alexandra David-Neel (1868–1969), born in Paris to a socially prominent family, once boasted, "I learned to run before I could walk!" In the course of a lifetime of more than one hundred years, she was an acclaimed operatic soprano, a political anarchist, a religious reformer, an intrepid explorer who traveled in Tibet for fourteen years, a scholar of Buddhism, and the author of more than forty books. But perhaps the most intriguing of all her adventures was the spiritual search that led her from a youthful interest in socialism and Freemasonry to the teachings of the great sages of India and culminated in her initiation into the secret tantric practices of Tibetan Buddhism. This book reveals the penetrating insight and courage of a woman who surmounted physical, intellectual, and social barriers to pursue her spiritual quest.
Prayers of an Adoptee
Based on a true story, Prayers of an Adoptee is about the life of Alexandra, a woman who was adopted at birth and spent decades searching for her biological family. Although she was raised by wonderful parents in a loving family, as a teenager, she began to feel an unexplained void in her life. This void sparked her need to solve the mystery of her past and find the family she had never known. During her teenage years and throughout her adult life, with help from her adoptive parents and her husband Teddy, she searched and prayed for clues that would lead to her biological family. But early in her search, Alexandra realized that the pieces of the puzzle""the answers to her prayers""would be revealed only in God's timing.
Confessions of an Illegal Alien
When Alexandra's mother dies and poverty becomes an everyday issue, Alexandra ventures into the United States of America as an illegal alien. During her journey, the indoctrination she received during her childhood by her father play a major role in determining her behavior in every social setting. However peculiar, the characters tat interact with her also behave in total compliance with their own unique childhood indoctrination. As the events unfold, Alexandra's life is not stable. It is composed every day, by acting on what is needed at any given moment for survival. Overall, the story portrays the steps taken by a teenage girl attempting to find acceptance and position in a hostile world...
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The Last One
"She wanted an adventure. She never imagined it would go this far. It begins with a reality TV show. Twelve contestants are sent into the woods to face challenges that will test the limits of their endurance. While they are out there, something terrible happens--but how widespread is the destruction, and has it occurred naturally or is it man-made? Cut off from society, the contestants know nothing of it. When one of them--a young woman the show's producers call Zoo--stumbles across the devastation, she can imagine only that it is part of the game"--Provided by publisher.
On the Private and Public Virtues of an Honorable Entrepreneur
Alexis de Tocqueville’s writings on honor, and his observation that a democracy’s definition of honor “stands for the peculiar individual character of that nation before the world,” provide inspiration for an ideal entrepreneurial innovator discussed in this book. Beginning with Aristotle, contributions of the giants of moral, political, and economic thinking are aggregated in a Credo for honorable entrepreneurs who are dedicated to freedom and general human flourishing. The Credo’s maxims and duties can help entrepreneurs prevent a separation of the honorable and the useful, which is a moral challenge faced by many leaders in all parts of society. Like-minded individuals who share this vision can rebalance power and repair America’s triune social order, while creating wealth and a surplus that can benefit the poorest among us.
Always Coca-Cola
The narrator of Always Coca-Cola, Abeer Ward (fragrant rose, in Arabic), daughter of a conservative family, admits wryly that her name is also the name of her father’s flower shop. Abeer’s bedroom window is filled by a view of a Coca-Cola sign featuring the image of her sexually adventurous friend, Jana. From the novel’s opening paragraph—“When my mother was pregnant with me, she had only one craving. That craving was for Coca-Cola”—first-time novelist Alexandra Chreiteh asks us to see, with wonder, humor, and dismay, how inextricably confused naming and desire, identity and branding are. The names—and the novel’s edgy, cynical humor—might be recognizable across languages, but Chreiteh’s novel is first and foremost an exploration of a specific Lebanese milieu. Critics in Lebanon have called the novel “an electric shock.”
