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"Saga of Brutes pulls together three fantastic stories "Between Dog Fights and Pig Slaughter," "The Dirty Work of Others," and "Bone Char," published for the first time as a single volume. Ana Paula Maia's narrative follows the invisible workingmen who carry society's burdens like Atlas. They exist in badness and fraternity, in high heat and intense speed. In the end, these heroes of vile circumstance are the soot-covered supermen who mine the center of the Earth, put out deadly fires, break endless asphalt, collect others' trash, and cremate bodies. But they, too, amount to nothing but carbo animalis--notwithstanding the impure relation of coal to diamonds. Without romanticizing her protagonists, Ana Paula Maia's fictional stories transmit some of the tender qualities of Brazil's brutish men and animals, building, like so many sand castles, a sustainable society on their sweat."--
In Creative Transformations, Krista Brune brings together Brazilian fiction, film, journalism, essays, and correspondence from the late nineteenth to the early twenty-first centuries. Drawing attention to the travels of Brazilian artists and intellectuals to the United States and other parts of the Americas, Brune argues that experiences of displacement have had a significant influence on their work. Across Brazilian literary and cultural history, translation becomes a way of navigating and representing the resulting encounters between languages, interactions with Spanish Americans, and negotiations of complex identities. While Creative Transformations engages extensively with theories of translation from different national and disciplinary contexts, it also constructs a vision of translation uniquely attuned to the place of Brazil in the Americas. Brune reveals the hemispheric underpinnings of works by renowned Brazilian writers such as Machado de Assis, Sousândrade, Mário de Andrade, Silviano Santiago, and Adriana Lisboa. In the process, she rethinks the dynamics between cosmopolitan and national desires and between center and periphery in global literary markets.
Este livro, como o próprio título indica, propõe um percurso de leitura de obras da escritora brasileira Ana Paula Maia, publicadas no período de 2007 a 2018, fundado em uma personagem que lhes é, o que permite compreender as relações dessa mesma personagem, (e da autora, evidentemente), com uma possível tradição literária.Entre as indeterminações de espaço e de tempo, bem como da diversidade de narradores e focos narrativos, marcantes na literatura contemporânea, foi preciso encontrar um elo que pudesse revelar um possível projeto estético-literário na obra de Maia, uma poiesis.Para alcançar este objetivo e definir um corpus programático, Karina Vicelli debruçou-se sobr...
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Fluxo-Floema is a detective novel of sorts--pornographic, scatological, and spiritual--that ultimately references the failure and success of writing. It's about vocabulary, astrology, dramaturgy, science, a story within a story within a story. It's a celestial map to social interaction and the failure of connection, a crafted examination of the distortions of religion and piety. Here we, the reader, visit nonsense, pathos, violence, and the flights of fancy of human coexistence.
João saiu para velejar em um domingo de abril perfeito em Búzios, litoral do estado Rio de Janeiro: sol e muito vento. O que ele não sabia é que aquela véspera de feriado de Tiradentes traria o maior desafio pelo qual passaria na vida: sobreviver ao ataque de um tubarão-branco de quase quatro metros de comprimento. Sentiu uma batida. Em seguida, um puxão violento que, rasgando sua perna, o levou para debaixo d'água. Não havia dúvida: a morte era certa, rápida e sem sofrimento. Seu último mergulho. Mas, de repente, o tubarão o soltou. João se viu imerso em uma poça de sangue, seu próprio sangue, em mar aberto, há quilômetros da praia. A partir dali começava a velejada mais importante de sua vida. Cada segundo seria determinante na sua corrida para permanecer consciente – e vivo!
"A young drama teacher in the West of Scotland suffers deep psychological problems which affect all areas of her life. She fails to find meaning in anything around her, but in her search she strips situations of their conventional values and sees them in a sharp, new light." --Publisher's description.
A howl in the night. A watchful eye in the darkness. A flutter of movement among the trees. Coyotes. In the dark of the night, a mother coyote stalks prey to feed her hungry pups. Her hunt takes her through a suburban town, where she encounters a mouse, a rabbit, a flock of angry geese, and finally an unsuspecting turkey on the library lawn. POUNCE! Perhaps Coyote's family won't go hungry today. This title has Common Core connections.
Poetry. Latinx Studies. Translated by Laura Cesarco Eglin. If life is no more than a prolonged flirtation with death, then Hilda Hilst's OF DEATH. MINIMAL ODES is the true account of a lifelong seduction. It is at once both a reverie and reliquary, as the poet imagines and reimagines that most paradoxical moment of disintegration--the corporeal flesh fusing with death's own dark corpus. With a visceral-mystical poetic voice that is as teasingly unrestrained as it is intellectually sublime, Hilst's odes enact a baroque danse macabre, where the poet revels in the incongruities of simultaneously seeking the sacred and profane. Translating the first collection of Hilda Hilst's significant body o...
A terrifying 1930s ghost story set in the haunting wilderness of the far north. January 1937. Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely and desperate to change his life. So when he's offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year. Gruhuken. But the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice. Stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return - when the sea will freeze, making escape impossible. And Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark...