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Léon Bakst (1866-1924) was a painter, illustrator, stage and costume designer. He is universally acknowledged for representing a synthesis of creative energy in the late 19th and early 20th centuries. Bakst travelled widely throughout Europe and in 1890 joined the World of Art journal circle which numbered many artists among its members, the most famous being Benois and Diaghilev. This book illustrates the wealth of Bakst's contribution to the world of theatre and dance. His best known work includes sets for Stravinsky's Firebird, and Weber's Spectre de la Rose.
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This volume shows the work of two of an important costume and stage designers. After leaving Russia for Paris, Léon Bakst played a leading role in the years just before World War I as a stage and costume designer for Diaghilev’s Ballets Russes. Aleksandre Benois who, after starting his career in 1900 at the Ermitage court theatre, together with Bakst assisted Diaghilev in the founding of the Ballets Russes. Presenting a selection of costumes, pastels, watercolours, gouaches and sketches for costumes, sets and props for theatre and ballet performances, the volume studies the differences between Bakst’s sensual and decadent orientalism and Benois’ academic classicism, within the context of the different cultural interests and backgrounds of the two artists.
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Præsentation af en række balletter illustreret med fotografier og tegninger af kostumer og kulisser, ordnet alfabetisk efter designeren
Kazimir Malevich (1878-1935) was Russia's foremost pioneer of geometric abstract art. This work gives a brief introduction to the life and work of this prolific painter, designer and writer.
Retells the story of the ballet, itself based on a Russian folk tale, in which a puppet with a soul tries to win the love of a ballerina during a Shrovetide Fair.