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Game of Thrones - A View from the Humanities Vol. 2
"This is, to our knowledge, the most extraordinary collection of varied and fascinating academic consideration on Game of Thrones ever put to press. By bringing together an international gathering of scholars who come from a wide array of disciplines, Game of Thrones: A View from the Humanities has made a real contribution to the study of popular culture and shown the value of humane inquiry into modern works of fiction." -Elio M. García Jr. and Linda Antonsson, co-authors with G.R.R. Martin of The World of Ice & Fire "A humanistic approach to GOT. Finding bare and reasonable resemblances between Westeros, Essos and the civilizations of the ancient world." -Aurora López Güeto, University ...
The Puzzler
The New York Times bestselling author of The Year of Living Biblically goes on a rollicking journey to understand the enduring power of puzzles: why we love them, what they do to our brains, and how they can improve our world. “Even though I’ve never attempted the New York Times crossword puzzle or solved the Rubik’s Cube, I couldn’t put down The Puzzler.”—Gretchen Rubin, author of The Happiness Project and Better Than Before Look for the author’s new podcast, The Puzzler, based on this book! What makes puzzles—jigsaws, mazes, riddles, sudokus—so satisfying? Be it the formation of new cerebral pathways, their close link to insight and humor, or their community-building prop...
Game of Thrones - A View from the Humanities Vol. 1
"This is, to our knowledge, the most extraordinary collection of varied and fascinating academic consideration on Game of Thrones ever put to press. By bringing together an international gathering of scholars who come from a wide array of disciplines, Game of Thrones: A View from the Humanities has made a real contribution to the study of popular culture and shown the value of humane inquiry into modern works of fiction." -Elio M. García Jr. and Linda Antonsson, co-authors with G.R.R. Martin of The World of Ice & Fire "A humanistic approach to GOT. Finding bare and reasonable resemblances between Westeros, Essos and the civilizations of the ancient world." -Aurora López Güeto, Pablo de Ol...
Iberian Books / Libros ibéricos (IB)
This is the first comprehensive listing of all books published in Spain, Portugal, Mexico and Peru or in Spanish or Portuguese before 1601. Iberian Books offers an analytical short title-catalogue of over 19,000 bibliographically distinct items, with reference to around 100,000 surviving copies in over 1,200 libraries worldwide. By drawing together information from many previously disparate published and online resources, it seeks to provide a single, powerful research resource. Fully-indexed, Iberian Books is an indispensible work of reference for all students and specialists interested in the literature, history and culture of the Iberian Peninsula in the early modern age, as well as historians of the European book world. For the period 1601-1650, see Iberian Books Volumes II & III.
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A Companion to Early Modern Naples
Naples was one of the largest cities in early modern Europe, and for about two centuries the largest city in the global empire ruled by the kings of Spain. Its crowded and noisy streets, the height of its buildings, the number and wealth of its churches and palaces, the celebrated natural beauty of its location, the many antiquities scattered in its environs, the fiery volcano looming over it, the drama of its people’s devotions, the size and liveliness - to put it mildly - of its plebs, all made Naples renowned and at times notorious across Europe. The new essays in this volume aim to introduce this important, fascinating, and bewildering city to readers unfamiliar with its history. Contr...
Music in the Collective Experience in Sixteenth-century Milan
Using archival documents, music prints, manuscripts and contemporary writing, Getz examines the musical culture of sixteenth-century Milan. The book investigates the musician's role as an actor and a functionary in the political, religious, and social spectacles produced by the Milanese church, state and aristocracy within the city's diverse urban spaces. Furthermore, it establishes a context for the numerous motets, madrigals, and lute intabulations composed and printed in sixteenth-century Milan by examining their function within the urban milieu in which they were first performed.
