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The life of the mother-in-law of the present queen of England ... bridging the tumultuous history of 20th century Europe and intertwined with the tragedy and glory of that era.
A retrospective of a distinguished graphic designer, influential on both sides of the Atlantic A consistent vision pervades the design endeavors of Philippe Apeloig. Over time, he as crafted a visual language strongly connected to rhythm, structure, pattern, space, and choreography, a language that invites us to wander through a thicket of letters, lines, and shapes that coalesce into something magical. Apeloig's career began in 1985 when he designed the poster for the Musée d'Orsay's first exhibition, "Chicago, Birth of a Metropolis." He has since created many more seminal posters and his own typefaces, includes Octobre and Drop. This book, published to accompany a major exhibition at the Musée des Arts Décoratifs, Paris, surveys and explores the entirety of Apeloig's graphic design process and philosophy, reproducing posters, logos, visual identities, books, and animations, and analyzing the influences that fuel his work. It will be required reading for anyone concerned with the recent history of graphic design.
This five-volume collection of manorial court records, published between 1901 and 1945, is a unique resource for medieval historians.
What is the relationship between the medieval crusades and the problems of the modern Middle East? Were the crusades the Christian equivalent of Muslim jihad? In this sweeping yet crisp history, Thomas F. Madden offers a brilliant and compelling narrative of the crusades and their contemporary relevance. Placing all of the major crusades within their social, economic, religious, and intellectual environments, Madden explores the uniquely medieval world that led untold thousands to leave their homes, families, and friends to march in Christ’s name to distant lands. From Palestine and Europe's farthest reaches, each crusade is recounted in a clear, concise narrative. The author gives special attention as well to the crusades’ effects on the Islamic world and the Christian Byzantine East.
All the people in these stories are unsung heroes. Their stories are true. To honour their privacy, most of the individuals profiled bear fictitious names; a few are composite characters. They have suffered severe trauma, the consequences of which have affected every aspect of their lives, as well as those of family and friends. They demonstrate great, if not superhuman, courage and resilience and never seek or expect applause. Over time, day-by-day, they endeavour to cope with loss, bid to reclaim lost skills, and unheralded, make significant contributions to society. 'Out of Calamity' stories and portraits are told in language that is realistic but also poetic, and demonstrate heroic dimensions even when people appear overwhelmed. Superbly crafted writing that is often raw but also eloquent, spare and affecting, these stories are gems replete with insight and compassion.
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