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In the 1980s and 1990s, a mind-boggling social panic over child sex abuse swept through the country, landing childcare workers in prison and leading hundreds of women to begin recalling episodes of satanic ritual abuse and childhood abuse by family members. Now I Can See the Moon: A Story of a Social Panic, False Memories, and a Life Cut Short is a deeply personal account of the devastating impact the panic had on one family. In trying to understand the suicide of her twenty-three-year-old niece, a victim of the panic, the author discovers that what she thought was an isolated tragedy was, in fact, part of a much larger social phenomenon that sucked in individuals from all walks of life, convincing them to believe the unbelievable and embrace the most aberrant claims as truth.
Announcements for the following year included in some vols.
Announcements for the following year included in some vols.
Winner of the 2020 WILLA Literary Award in Creative Nonfiction from Women Writing the West Part history, part memoir, I Am a Stranger Here Myself taps dimensions of human yearning: the need to belong, the snarl of family history, and embracing womanhood in the patriarchal American West. Gwartney becomes fascinated with the missionary Narcissa Prentiss Whitman, the first Caucasian woman to cross the Rocky Mountains and one of fourteen people killed at the Whitman Mission in 1847 by Cayuse Indians. Whitman's role as a white woman drawn in to "settle" the West reflects the tough-as-nails women in Gwartney's own family. Arranged in four sections as a series of interlocking explorations and ruminations, Gwartney uses Whitman as a touchstone to spin a tightly woven narrative about identity, the power of womanhood, and coming to peace with one's most cherished place.
An “achingly beautiful” memoir about a mother’s mission to rescue her two teenage daughters from the streets and bring them back home (Kirkus Reviews, starred review). After a miserably failed marriage, Debra Gwartney moves with her four young daughters to Eugene, Oregon, for a new job and what she hopes will be a new life for herself and her family. But the two oldest, fourteen-year-old Amanda and thirteen-year-old Stephanie, blame their mother for what happened, and one day the two run off together—to the streets of their own city, then San Francisco, then nowhere to be found. The harrowing subculture of the American runaway, with its random violence, its dangerous street drugs, an...